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Guitar players corner!

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(Not mine)
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Just received this guy a few days ago. Builder is Michael Kennedy. The guitar was designed around various C tunings. The fan starts at 26" and I'm using a .059. It's deep and powerful while being very dynamic and responsive from light to heavy technique. I find most conventional baritones to be a little overbuilt. This is to handle the higher tension, but at the expense of responsiveness.

I was able to try a few of Michael's builds at an acoustic gathering in Texas. I asked/begged for a slimmer neck shape due to my small hands. The actual build was very fast, but I had to put it on hold while going through a divorce. I won't discuss price, but he's an extremely skilled builder and his stuff punches well above his price point. I'm tempted to investigate a "light" baritone at some point. String selection is a little limited. Might see if he can adjust the scale length to get the same tension I'm getting in C.
 
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Just received this guy a few days ago. Builder is Michael Kennedy. The guitar was designed around various C tunings. The fan starts at 26" and I'm using a .059. It's deep and powerful while being very dynamic and responsive from light to heavy technique. I find most conventional baritones to be a little overbuilt. This is to handle the higher tension, but at the expense of responsiveness.

I was able to try a few of Michael's builds at an acoustic gathering in Texas. I asked/begged for a slimmer neck shape due to my small hands. The actual build was very fast, but I had to put it on hold while going through a divorce. I won't discuss price, but he's an extremely skilled builder and his stuff punches well above his price point. I'm tempted to investigate a "light" baritone at some point. String selection is a little limited. Might see if he can adjust the scale length to get the same tension I'm getting in C.
Beautiful inlays.
 
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I'm busy re-recording my back catalogue. I've been playing my Ibanez axes almost exclusively lately (my Epiphone AccuBass gives great, P-Bass-rivaling thump!).

I came upon a (very) old song of mine. I wrote, when I was 15 years old. As close as I can recall, I wrote it on my old Univox Les Paul (Gibson sued them out of existence, the year after mine was made) or my acoustic.

The point is: there was lots of "real estate" where I could do finger-picking on either of those guitars. There were no pick-ups to get in the way.

Well, I reached for my trusty S1070. I could not do the finger-picking parts. Okay. The "S" types are contoured (figured) guitars and there's not as much room to lower the middle pick-up. I'll just grab my JEM77. I have that one set up the same way Steve does. The middle pick-up is level with the pick guard.

Yeah ... no soap there.

I didn't even think about breaking out the Strat' (although I did have a passing thought about the Schecter which is a "T" style [two pick-up] guitar, but I was afraid of a thin sound for the acoustic parts).

The long-and-short of it is: I decided to take the Les Pauls out of mothballs. This will be my first recording in a long time which features an all-Epiphone arsenal.

This should be fun!