I'm with you: Groove is paramount.
I've seen dudes play impressive solos but seem to be unable to stop their busy, overplaying selves from trampling over the actual song by playing the same way instead of meshing with the other musicians in the band. I've also seen bassists play really nice, virtuoso bass solos and then jump right back into the groove and reinforce a good tight sound. I don't think being a good soloist precludes being a groovemeister, but I'll take the groovemeister every time, whether they can solo or not.
The only bass solo I ever play in public is, you know, that part in Brown Eyed Girl where the rest of the band stops playing for a couple of bars while the bass line continues unabated.
To me, most of the time, the best thing about a bass solo is that it's not a drum solo!
I've seen dudes play impressive solos but seem to be unable to stop their busy, overplaying selves from trampling over the actual song by playing the same way instead of meshing with the other musicians in the band. I've also seen bassists play really nice, virtuoso bass solos and then jump right back into the groove and reinforce a good tight sound. I don't think being a good soloist precludes being a groovemeister, but I'll take the groovemeister every time, whether they can solo or not.
The only bass solo I ever play in public is, you know, that part in Brown Eyed Girl where the rest of the band stops playing for a couple of bars while the bass line continues unabated.
To me, most of the time, the best thing about a bass solo is that it's not a drum solo!