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I'm the same here. I am on my 2nd 3500...both have been reliable and more than enough power for any gig I've played over the last 15 years or so. BTW...I have an XL 4x10 as well and have never felt the need to bolster it with a 15. That head and cab combo handles everything...and if the gig is big enough for you to run through the PA then you're all set regardlessI use a HA3500 and it has tons of headroom... I have never turned it past 3 or 4, playing in a loud rock band...

I'm very tempted to get this one for 250 shipped. The g uy s at sweetwater.com just called me saying the amp will be in stock next Thursday (2 yr warranty, peace of mind )Used ha3500 on reverb for 237
Very large and heavy?
See I don't get that. He has bought a nice big and solid cabinet...which most of us have. You want to move some air, right?
But suddenly it is a big obstacle to carry a solid state amp like the 3500, which isn't even that heavy?
I get the micro amp thing if you have a small coffee house rig with a 1x12 cab or something like that, but I digress.
The HA3500 is a wondeful amp. Go for it!
I just got a B-stock LH-500 for $220 at Sam Ash in NJ. Basically it came to $235 or so after taxes... I could've gotten the LH-1000 for another 85 bucks.Gc used has two lh500 for 249.
90 pounds! I'll get a dolly for the cab![]()
I've had some GKs and I love them...but the 10 band graphic with low and high boost knobs on the 3500 is too hard to get away from now....I used a 3500 for a couple years, then it started cutting out every other gig. I had it repaired and it seemed fine, but I couldn't take the stress of wondering if it would go out again, so it just stayed at the rehearsal space. Why are your choices limited to Hartke? Is it because you want your rig to match? After the 3500, I went to a GK 700rb. I regret nothing. And I don't mean to diss Hartke... I still use a Hartke 410 at one of my rehearsal spaces and it eats everything I feed it.