You missed my admittedly facetious point.The point for me is that I occasionally find myself in far-from-ideal situations, where "the show must go on," and correcting the audience isn't an option.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
You missed my admittedly facetious point.The point for me is that I occasionally find myself in far-from-ideal situations, where "the show must go on," and correcting the audience isn't an option.
I'm bumping this because it's really the truth. You cannot out shout a crowd and win. It just gets to loud and then they leave.
Invite them in. They will come. If they don't you'll still sound good and it's their loss.
I'm bumping this because it's really the truth. You cannot out shout a crowd and win. It just gets to loud and then they leave.
Invite them in. They will come. If they don't you'll still sound good and it's their loss.
The trio I play in has always put the drums to the side facing the piano. Of course that only works if you have a musical drummer. Fortunately we do.i agree with the musical intent of the thoughts here ... i particularly like the idea of setting up facing each other ... i've been seeing more and more of this setup recently ... but all it takes is one player, like say a guit*rist, to crank it up, and you're back to facing the "how do i hear myself" conundrum.
maybe if they made basses out of slabs of wood ... and frets![]()
Perhaps that's why I don't buy into the whole Bose Performer cylindrical
radiator concept. It's a great idea on paper, but if you have that same guit**ist it becomes more of a circle of doom.
Ric![]()