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Help choosing an amplifier for first time

O.P.,
Where are you located?

Here in Central/Southern Illinois there's for sale:

"Two", 8 ohm, Avatar B210 cabinets loaded with Eminence 2510 U.S.A. Neodymium drivers, Foster horns, Eminence x-overs, Tuff-rug rough.
$100.00 (each, firm price.)

Gallien Krueger MB500 bass head, 350 watts at 8 ohms, 500 watts at 4 ohms, xlr out, contour, 4 band eq., ect., mint condition.
$300.00 (firm price.)

((No shipping.))

Stack those two, 210 cabs as a vertical 410 powered by 500 watts will cover most rehearsals/gigs with a live drummer you might ever encounter. A really kick-butt rig and only spend $500.00.
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...Just be sure to try one to see if it's the sound you want .
This ^

OP, it's tempting at first to go "I just want to be heard", but since you don't have to be in volume wars (hopefully) you can focus on an amp that is going to do the trick while sounding good too. That's up to personal preference, hence where you'll often hear "try before you buy" on anything amp-related.

There's plenty of amp+cab pairings you can get new that will fit the bill. There's also some combos that would work great. My personal opinion, is that amp+cab is the better route to go since it's very flexible. $1200 is a very solid budget, you should be able to get something with room to grow even when buying new. That way you could return it if the rig doesn't cut it in a band mix or you don't like it tonally.
 
I play at an open mic locally in a bar and the house 200 watt bass amp has two tens, IT IS PLENTY LOUD. Drummer, keyboard, guitar, PA etc.
The place can get crowded and this amp really does the job.
If it were me, I would focus on finding a combo with two tens.
Here's (just) an idea -
NEW: Trace ELF 1x10 200 watt bass combo amp $599 US ($808.65 C) and Trace 1x10 $349 US ($471.15 C) .
Total 1279 Canadian - $79 over budget . . . There you have 2x10 and 200 watts, a separate practice amp, and those acoustic people will be asking you to turn it down. By the way the 1x10 weighs 16 pounds (7.25 K)
Or find a GK 200MB used (or maybe N.O.S. in a shop) and get two of the 1x10s. Just a suggestion, enjoy your research . . .
 
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Hello @bass-smoothie. If I were to choose from your list, I would pair the SWR Redhead (excellent amp) with one of the Eden 4X10 cabs, whichever is 8 ohm (very important!!). As long as both are in good condition, you will have all the rig you need. I used a Redhead with an SWR 15" for quite a few years & it never let me down.
 
Find a used Class D head. Get one with lots of power, you will never be sorry if you have more power than you need. Many great amps out there. Used equipment allows you to get much more rig for your $.

As far as a cab, unless you are playing with huge stage volume, you do not need alot a 210 or 212 puts out enough sound pressure to cover 99% of any gig you will ever do. Again, many good choices out there for brands.

Make sure to buy Neodymium drivers, 35lbs speaker cab! You can walk into your gig with bass on your back, amp in the pocket of your gig bag and carrying your cab.

Also, don't over look combos. Fender Rumble 500 or 800, Markbass, GK... many others.

As much as I love SWR or Eden combo, no way would I move a 90lbs rig for gigging.
 
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Guys you are awesome!

To S.F.Sorrow, I do have a good collection of guitar amps. My oldest ones are
- Traynor Bass Master '72
- Fender Princeton '69 modified into a head
- Fender TwinReverb '75 modified into a combo with 2 Altec 417-8C

I thought to use the Traynor but the lack of controls made me fear a difficulty in dialing what I want.

To Madmaxreach, the style of the band will range from full band modern rock, to full band modern acoustic songs (acoustic rock covers).
My personal playing genres are wider including blues and metal.

Thanks again for all your inputs, much appreciated!

The Princeton won't deliver nearly enough volume.

The Traynor BassMaster is 50w, right? If that's the case it will probably not be quite powerful enough either. At least not if the band is loud and you want a relatively clean tone. But it might be worth a try with a good bass cab.

The Twin... The amp itself could actually be great for bass! I mean, it's not that different to a Bassman 100, is it? But being converted to a combo isn't exactly ideal. You will probably not want to deal with a heavy combo PLUS a bass cab, which you will definitely need.
 
With your budget, you can easily get a new combo unit and not have to worry about past issues.
you should be able to get something with room to grow even when buying new

You're right in saying that new combos are in budget, but for rental there is much less choices. I thought that a used rig could be a good idea for having higher quality.
 
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Just one more 2¢ reply, but I've been gigging for a long time, and have been very happy with Markbass equipment. It's cost effective, light, and thumps with anything more expensive. If I had a bigger budget, I may have gotten a Bergantino or something fancy, but in ten years gigging the same Markbass rig, I've always been happy. It's a very clean sounding rig, but if you want to explore tonal options later, there are pedals that can "dress it up" however you'd like.

With $1200 you might even be able to get two used cabs (I recommend two 210's) along with an amp in good condition (the little mark 3 is a GREAT head if you can find one). Otherwise, a new 210 combo of theirs can rock most any gig and you can add an extra cab later if you want.

They're not popular amongst us bass nerds anymore, but go try one at guitar center, bet you'll be very impressed.
 
Get a decent combo. Hell, you can get a brand new one in your budget and have a few bucks to spare. Save your back and save your wallet. For the needs you listed, it would be a good fit. I have never played a Fender Rumble, but they get good raves on here. The Ampeg Rocket seems to be good as well. Find a used Mesa Walkabout combo or a Carbine Combo. Plenty loud but a bit heavier. If you must have separates, you can find older GK stuff on the cheap and a 4x10 or 2x12. Good luck.
 
Just one more 2¢ reply, but I've been gigging for a long time, and have been very happy with Markbass equipment. It's cost effective, light, and thumps with anything more expensive. If I had a bigger budget, I may have gotten a Bergantino or something fancy, but in ten years gigging the same Markbass rig, I've always been happy. It's a very clean sounding rig, but if you want to explore tonal options later, there are pedals that can "dress it up" however you'd like.

With $1200 you might even be able to get two used cabs (I recommend two 210's) along with an amp in good condition (the little mark 3 is a GREAT head if you can find one). Otherwise, a new 210 combo of theirs can rock most any gig and you can add an extra cab later if you want.

They're not popular amongst us bass nerds anymore, but go try one at guitar center, bet you'll be very impressed.

Markbass not popular? That's new to me. I see them EVERYWHERE, played by beginners and pros alike.

I totally agree about Markbass being cost effective, light and generally very good amps. I remember the first time I tried one, at a gig. I was used to playing powerful tube amps with huge cabs but for this gig I had to use the available house backline. The bass amp was a tiny 1x15 Markbass combo. This was with a very loud prog band (including a B3 with Leslie on stage) so I expected it to be a really bad night for me. But that little Markbass sounded great and delivered plenty of volume! I was very impressed. I still prefer tube amps with bigger cabs but I could easily use, AND enjoy one of those smaller Markbass combos for practically any gig if I had to.

I think the main problem with Markbass is that they keep discontinuing amps and releasing new models all the time. It feels like I can hardly blink without completely loosing track of their product range. We all like to buy amps with a proven track record, and that's not always easy with Markbass. At least not unless you buy used.
 
Groove Pump is correct on lots of things. I would go with Battle 3500 Hybrid, a 2/10 and a 1/15. 2/10'are light and the 15 is even lighter. Cabinet brand is up to you. Make sure they match up obvi. I had a Mark bass rig with this configuration. I loved it. It was easy, and depending on whatever, I could decide on what to bring. I've had all manner of Amps/combos. I think I miss the sound of that 3500 the most. (Tube hybrid thing) I used one in a metal band. Those are on Reverb right now for reasonable prices. View attachment 5330386

These things are great, I used one for years. It was my first “real” amplifier, got it used like 20 years ago. Glad to see they still get recommended.
 
I'd hit every pawn shop i could in my area. My thinking is that...
-you are a guitar player historically and maybe a bass player for a short, medium or long while. In order to maximize your investment, I'd be looking used, until you are certain that you want to invest in being a bass player
-you can haggle with pawn shops who are likely sitting on old heavy gear that they will be happy to get out their way
-you and plug and play them before buying
i checked out the Quebec Kijiji and there's not much there, so pawn shops it is!
Fishheadjoe
 
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Is this better than the Fender rumble? Sadly there is no used ones in my area. Would it be equivalent to a RB700 head with a cab? If so, which cab?

is it better than the fender rumble? that's personal preference. it IS, however, decades older at this point.

the rumble 500 is a good amp with a lot of features. it's lightweight, it won't require you to buy a separate cab (although if you need to get the full 500 watts with, it does take an extension speaker). it's affordable at long and mcquades
Fender Musical Instruments - Rumble 500 - Rumble Series 500 Watt Bass Amp (V3)
 
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Hello!

So I am a guitar player and I was asked to be part of a band as a bass player. I do have a low budget bass (Jay Turser 5 strings) to do some recording at home but I don't have an amplification rig. So I would like to have some help choosing a good rig for my needs. I'm on a budget of roughly 1200$, so I look for second hand items.

I need a kit for practicing, rehearsals and live playing. We will mostly play in small bars. For bigger venues, I will use the direct out to the house PA. We will play mostly modern rock and some full band acoustic rock songs.

Some of the local ads I may get are :

SWR Redhead combo 400w (725$)
Eden D410T-D (280$ +tx)
Ampeg SVT-410HLF (650$)
Eden D212-XLT (600$ +tx)
Eden D410-XLT with Eden Time Traveler 400w (1200w)
Eden D210-T (400$ +tx)
SWR WorkingPro 4x10 (400$ +tx)
Eden 410TN (550$)
Roland Serie Bass-100 combo 100w (600$ +tx)
Mesa Fathom 600w with Mesa 1x15 cab 600w (1200$)
Mesa Bass 400+ (1500$)

Those are the trusted brands I know of and I am open to other suggestions.
Thanks!
Let me give you some info on the Eden gear as I am pretty thoroughly familiar with it (was a moderator of the Eden forum before it died)

• The David sereis "T" cabs were the earliest cabs that David Nordschow (aka: David Eden) produced under his own brand for bass players. They are excellent all around cabs but use an old type of connection called banana plugs. They also have 1/4" plugs, which work fine up to about 300 watts or so.

• Next came the David Series XLT cabs. These cabs have a built in low-mid hump in their frequency response and are some of the very best sounding cabs that Eden produced. That bump in the low-mids gives your bass great definition and presence when playing in a group. The early ones used the banana plugs for connectors and the later production ones used the speak-on connectors, which are much better connectors.

• The next model of Eden David Series cabs were the XST series cabs. These cabs had an extended frequency response (down to 30Hz on the D210XST), higher power handling, but were about 3db lower sensitivity. Basically that meant that the D-410XST could handle more power than the XLT, but because the sensitivity was lower, both the D-410XLT and the D-410XST had about the same maximum SPL (volume). The XLT was just as loud as the XST but didn't have as tight and focused a bottom end because the XLT's lowest frequency response was typically around 48HZ while the XST's were all in the mid-30Hz area. Both actually sound great with a 5-string but the bottom end of the XST is noticeably tighter sound. for a number of years after the XST's were introduced the SLT cabs still out sold them.

All of those cabs were top-of-the-line cabs when they were first made. Eden made a Nemesis Series for many years that was considered their mid-level and mid-priced product. The cabs had lower power ratings than the D-series but still sounded great. They later came back as the E-series.

Things get confusing after David Nordschow left Eden (sold Eden in early 2000's to USM, left in 2009). These David Series Cabs changed after David left Eden. They changed the name of the David-series cab to D-series cabs and that's what everyone typically refers to them now regardless of when they were made.

The Nemesis cabs directly morphed into the EN series and then just E-series cabs after David left. Before that David had an E-series of cabs that were specifically made to match up with his E300-V all-tube amp, which turned into his WTB-300V amp in 2009 (same amp, different name, different cosmetics).

• The TN series of cabs are the Terra Nova series cabs. In 2012 (actually last day of 2011) Marshall bought Eden and not too long afterwards both the TN series (Terra Nova series) and the "new" E series cabs came out. Both are lower priced and lower power handling than D-series. After Marshall bought Eden they came out with the TN series, which are arguably the direct replacement for the Nemesis series cabs. They are very nice cabs and although there is still a fair distance in the prices between the TN series and the D series, there's not that much difference in sound. Typically there is a decent difference in power handling. So are good sounding cabs

Marshall actually contracted David Nordschow to design some new compact cabs for them and although I don't know it for a fact, the very compact additions to the "E-series" cabs using whizzer cones instead separate tweeter horns appeared. I actually have two of the EX-112 cabs myself. Bought one for use in a small venue where my 410 cab scared them and it sounded so good the first night I used it that I bought a second one. It is/was about $600 less than the top-of-the-line D-series but there's nowhere near that much difference in sound.

• Of the Eden items you list, the best set up would be the D410XLT with the WT400 amp. That amp however produces nowhere near 1200-watts, nor did it ever claim to. There should be a "max watts" box next to the power cord and that shows how many watts it can use, not the output. The output is in two boxes near the top of the back panel. One box has a hand-written number (400) in it and the other has the ohms spec in it (4). That amp was last offered in 2004. The WT550 amp with more watts and able to handle a 2Ω minimum load replaced it in the Eden line-up although they were both offered in 2003 and 2004. Both used the same chassis but different insides.

That WT400 amp will produce 235-watts rms into 8Ω or 400-watts rms into 4Ω (hence the name WT400). It is not one of the most powerful amps that Eden ever made although it is generally considered by "Edenites" to be the best sounding amp of all. The D410XLT cab will handle up to 700-watts rms and that combination will sound great. If it's an 8Ω cab it will get up to 235-watts rms out of that WT400 and if its a 4Ω cab, all 400-watts will be available. Whenever someone put a WT400 up for sale on the Eden forum classifieds, it typically disappeared within one or two days. Thw WT400 does NOT go below 4Ω though. It will handle either two 8Ω cabs or one 4Ω cab. Many of the later Eden amps could handle 2Ω, but that one was not designed to do so.

The D212XLT is also an excellent sounding cab and it would handle 400-watts rms. Later that handling power changed to 600-watts rms. That cab disappeared from the catalog in 2012. The D212XLT would definitely be a better choice than the D210T (handles 250-watts rms).

Hopefully that helps with the Eden stuff...
 
As anybody who reads my posts about amps know, I think Traynor gives you a lot of amp for the money. They are made over here (Canada) and are very reliable. Other than that, I have used GK and have no complaints. You mentioned you are going to be playing small bars; I would go with a light weight combo. Traynor has a 200 watt combo with a 15" speaker that weighs 30 pounds. Your back will thank you
Hello!

So I am a guitar player and I was asked to be part of a band as a bass player. I do have a low budget bass (Jay Turser 5 strings) to do some recording at home but I don't have an amplification rig. So I would like to have some help choosing a good rig for my needs. I'm on a budget of roughly 1200$, so I look for second hand items.

I need a kit for practicing, rehearsals and live playing. We will mostly play in small bars. For bigger venues, I will use the direct out to the house PA. We will play mostly modern rock and some full band acoustic rock songs.

Some of the local ads I may get are :

SWR Redhead combo 400w (725$)
Eden D410T-D (280$ +tx)
Ampeg SVT-410HLF (650$)
Eden D212-XLT (600$ +tx)
Eden D410-XLT with Eden Time Traveler 400w (1200w)
Eden D210-T (400$ +tx)
SWR WorkingPro 4x10 (400$ +tx)
Eden 410TN (550$)
Roland Serie Bass-100 combo 100w (600$ +tx)
Mesa Fathom 600w with Mesa 1x15 cab 600w (1200$)
Mesa Bass 400+ (1500$)

Those are the trusted brands I know of and I am open to other suggestions.
Thanks!

As anybody who reads my posts about amps know, I think Traynor gives you a lot of amp for the money. They are made over here (Canada) and are very reliable. Other than that, I have used GK and have no complaints. You mentioned you are going to be playing small bars; I would go with a light weight combo. Traynor has a 200 watt combo with a 15" speaker that weighs 30 pounds. Your back will thank you. Just my opinion, but I would not go less that 200 watts.
 

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