• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Help Me Understand Live Show Equipment Needs

Probably the most important thing to bring (ear plugs).
Don't need 'em when using IEM's !!
But a must for loud stages w/ wedges!

And the one thing nobody has mentioned that one should bring to a gig.. the ability to PLAY your instrument.
None of the extra stuff means squat if you can't do that! Just sayin'.. :thumbsup:
 
What you need will depend upon the venues that you play. There have been many good siggestions by other TBers. My $0.02 worth:

For small to medium size clubs:
1) Bass guitar - I have never needed a spare bass but I do not use light gauge strings which a re more likely to break. A spare set of strings can be used in lieu of a second bass guitar. Some people change guitars to change tunings and for them a second bass guitar is a good practice.

2) Cords - Definitely bring extra cords and not a cord that has become intermittent. My setup requires two 1/4" to 1/4" cords. I brings a third cord. The minimum length should be 10 feet. Buy some of the Velcro wraps to keep the cords coiled except for what length is needed to make connections. Bring duct tape to tape down any cords that are laid down where people will walk. This avoids trips and cords being pulled out of equipment.

3) Tuner - I prefer electronic tuners that connect via a cord. Never have used a tuner that mounts on the headstock. I was given a tuner that is off frequency, so check with your other band members to ensure that all tuners use A 440 Hz as the reference. If your band has a keyboard player then you will need to compare to the keyboard(s).

4) Amplifier - A combo amp is sufficient for a stage monitor and most small to medium clubs. If the instruments are run through a PA, then any amp with an XLR output for DI use is fine. If only using a DI, then you will need some other equipment to monitor your bass playing. In-ear-monitors (IEMs)are commonly used. These are more comfortable than over-the-ear headsets. The caution is that not all IEMs reproduce low bass notes well.

For gigs without FOH support:
When instruments are not run through a PA, the major factor is whether or not the gig is indoor or outdoor. Indoor gigs can reflect bass frequencies from the walls. This can result in louder low frequencies but may also cause resonant frequencies where some notes are way louder than most others. Many bassists use a notch filter or parametric equalizer to compensate for any resonant frequencies. (At my church there is a resonant frequency for A notes. The audio tech has yet to properly compensate for this.)

For outdoor gigs it is best to run the instruments through a full-range PA. Unfortunately, some venues provide only a horn+ 12" speaker combination. Then you need an amplifier that can get seriously loud. I have used an Ampeg SVT-3 Pro and a Mesa Boogie WD-800 through an Ampeg SVT-18 cabinet for these situations. These setups have been enough. If I had known beforehand that the PA was inadequate, I would have brought a second SVT-18 cabinet for better sound dispersion.

5) Pedals, etc. - My needs are simple. A Tech 21 Bass Fly Rig provides a tuner, compression, and the adjustable graphic equalizer that I use. It also has chorus, octave, fuzz, and boost effects. Rarely are any of these effects appropriate for the songs my rock band plays. Adjusting the controls on my bass guitar and/or amplifier is sufficient.

Hopefully, some of this is of value to you.
 
  • Like
Reactions: Eli_Kyiv and Wasnex
2) Cords - Definitely bring extra cords and not a cord that has become intermittent. My setup requires two 1/4" to 1/4" cords. I brings a third cord. The minimum length should be 10 feet. Buy some of the Velcro wraps to keep the cords coiled except for what length is needed to make connections. Bring duct tape to tape down any cords that are laid down where people will walk. This avoids trips and cords being pulled out of equipment.

I second everything in your post, I would recommend gaffers tape rather than duct tape though. Duct tape can mess up the flooring if it is painted/stained/finished surface and might end up with you on the hook for the bill when the venue has to repair it. It will also make your cables sticky and have residue. I have seen it happen! Gaffers tape is a little more expensive but is much safer and easier to work with.

https://www.amazon.com/Professional...-1-spons&sp_csd=d2lkZ2V0TmFtZT1zcF9hdGY&psc=1
 
As an Amazon Associate, TalkBass may receive commissions from qualifying purchases made via links on this site.
So far I'm the only one who mentioned an extension cord (perhaps a power strip, as well) so you're sure to reach a outlet, lol...

Actually I've never gigged without being the PA guy, and I have to bring everything to accommodate powered speakers, monitors, and everyone's gear on the stage,

and I have played many places that weren't so accommodating that way (some outdoor pavilions can be a problem), or maybe I'm just thinking too hard. :D
 
Last edited:
I believe zenrad was first:
OIP.nY-Trla9_ZZkhQSi_32CKQAAAA
 
  • Like
Reactions: Wasnex
Hello. I've not played live in years and never handled the sound back then. I'm in a cover band now and want to make sure I understand what I need to own to play live now. I have a Rumble 500 and my bass. That's it. What all do I need to be ready to play on stage?

The bare minimum is your bass, your combo, cable and tuner.

It's wise to bring spare cable and spare battery (in case your bass is active).

Do I need to mic my amp?

No

Do I need my own monitor?

No

I've never heard of a DI. Do I need one?

No, your amp has XLR output.

What do I use the XLR out for?

You will use it to send your signal to FOH
 
Why do we need a separate DI to the amp’s DI

I have just stated some of the reasons for using separate DI in the other thread -see the link below (post No. 150).

https://www.talkbass.com/threads/di-box-live-set-up-question.1491268/page-8

I don't think a DI box is a neccessity though...

what DI’s do you recommend (cheapest first)?

Every FOH has DI boxes...so we, as bass players, need not to bring them...

I would recommend bringing a DI box if the DI box is somehow "better" (preferable) than the one supplied by FOH.

That disqualifies cheapest DIs...
 
Why do we need a separate DI to the amp’s DI, and what DI’s do you recommend (cheapest first)?


Possible Reasons:
1. Better sound quality
2. Less noise
3. Take the amp out of the equation...audio gets and unprocessed signal and the bassist is free to adjust the amp to me personal preferences on stage.
4. Additional functions and features
5. Desire to sample speaker level on a tube amp.

What features do you want and how much do you want to spend.

I generally used a regular pro level DI like a Radial J48 or JDI. If I want something a little more esoteric with a tube, I would choose the Sonic Farm 2DI4. I think the A-Designs REDDI or Kahn DI are probably more popular on TB though. If I wanted an IR loader, I would probably look at Two Notes C.A.B. M+. The C.A.B. M+ and JDI also work at speaker level. The JDI has a built in speaker emulation. It's intended for guitar, but some have reported good luck with bass. Another regular DI that is commonly recommended for speaker level is the Countryman Type-85.