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Correct, this will (probably) help the octave down circuit to track better.You need the hpf after any octave down.
I put the hpf+lpf just before the pre-amp. It's working well, tames all the madness. I did like it before the comp too but I think it's utilised better where it is now. Thanks for your help peoples, I appreciate it!
Results are here: 60 per cent of sound techs preferred to be sent pre HPF signal, 1.5 per cent preferred post HPF signal, 38.5 per cent did not care. 70 sound techs participated in the survey...
My point was tu put (envelope) filters in front of compressor...
or they want to make @JimmyM sound like a subwoofer.Maybe the techs that prefer pre HPF signal it's because the bass is the best source of lows to move them subwoofers
Does the D800 have a fixed HPF?Pretty much every amp I have designed over the last 20 years includes at least a fixed HPF.
Depending on the intended application of the amp, it's typically somewhere in the high 20's Hz to low 30's Hz.
Cool! Thanks for the gig report.I promised a gig report a while back, but was waiting until I played every type of gig I usually encounter. I have to say the HPF is a total game changer. From small strangely shaped bars to old converted churches with 30ft ceilings, or larger venues with raised usually boomy stages. I even went as far as to switch up to the Quilter 800 for my gigging amp, so I have the feature available if my pedal were to quit working.