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Double Bass Homemade magnetic pickup

Hello all. Back on the doghouse after a 30 year break ( been 100% Bass guitar for the past 30) in my time off, (since live music has not been a thing here in Buffalo for the past 3 months) I got a hold of a beautiful 42' Kay S9 and made this pickup using some old Precision type pickups from the parts bin. I wasn't expecting much, but am totally blown away by how great this works and sounds. Mind you these are crappy pickups from a guitar fetish kit! Anyone else have any experience trying something like this?
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Hello all. Back on the doghouse after a 30 year break ( been 100% Bass guitar for the past 30) in my time off, (since live music has not been a thing here in Buffalo for the past 3 months) I got a hold of a beautiful 42' Kay S9 and made this pickup using some old Precision type pickups from the parts bin. I wasn't expecting much, but am totally blown away by how great this works and sounds. Mind you these are crappy pickups from a guitar fetish kit! Anyone else have any experience trying something like this? View attachment 4156851 View attachment 4156854
Did you just re-imagine the Ampeg? "The Split-ski" Leo would be proud!
 
For years I played with a pair of P bass style pickups attached in a similar fashion. Then, in an effort to make it a bit more discreet, I made this pickup from scratch, using coils harvested from small motors, and rare earth magnets. The framework is 1/4 inch thick Lexan, with a couple aluminum plates clamping it to the sides of the fingerboard. Here it is on my Kay:

upload_2021-2-6_13-3-20.png


The black plastic is just decorative, cut from a 3.5" floppy disc case.

Naturally every pickup system is a compromise because there's no single point on the bass whose motion represents the full tone of the instrument. On the other hand, we're paid to be heard. Nobody ever complained about my sound. Now based on both pickups, I can recount some pro's and con's:

Pro: You can get stoopid freegin loud before you reach feedback territory, because the strings themselves are acting as ideal bandpass filters.

Pro: Or you can take advantage of that high gain-before-feedback to play with a really light touch.

Con: You can't completely get rid of the electric-bassy sound. It's noticeable if you listen through headphones, a sort of "buzz" that I think is related to how a magnetic pickup distorts the signal, not necessarily better or worse, but differently from a piezo pickup.

Con: Playing with a super light touch can turn into a habit.

Con: No arco.

The mag pickup certainly got me onto the bandstand, and I'm glad that I had it, but at the same time, forcing myself to learn to live with a piezo pickup also forced me to improve my playing. It took me going down a rabbit hole of electronics and speaker design to get there, and the journey is far from over. Despite being in the amplification business, I still prefer the rare gigs when I can play unplugged.
 
For years I played with a pair of P bass style pickups attached in a similar fashion. Then, in an effort to make it a bit more discreet, I made this pickup from scratch, using coils harvested from small motors, and rare earth magnets. The framework is 1/4 inch thick Lexan, with a couple aluminum plates clamping it to the sides of the fingerboard. Here it is on my Kay:

View attachment 4157596

The black plastic is just decorative, cut from a 3.5" floppy disc case.

Naturally every pickup system is a compromise because there's no single point on the bass whose motion represents the full tone of the instrument. On the other hand, we're paid to be heard. Nobody ever complained about my sound. Now based on both pickups, I can recount some pro's and con's:

Pro: You can get stoopid freegin loud before you reach feedback territory, because the strings themselves are acting as ideal bandpass filters.

Pro: Or you can take advantage of that high gain-before-feedback to play with a really light touch.

Con: You can't completely get rid of the electric-bassy sound. It's noticeable if you listen through headphones, a sort of "buzz" that I think is related to how a magnetic pickup distorts the signal, not necessarily better or worse, but differently from a piezo pickup.

Con: Playing with a super light touch can turn into a habit.

Con: No arco.

The mag pickup certainly got me onto the bandstand, and I'm glad that I had it, but at the same time, forcing myself to learn to live with a piezo pickup also forced me to improve my playing. It took me going down a rabbit hole of electronics and speaker design to get there, and the journey is far from over. Despite being in the amplification business, I still prefer the rare gigs when I can play unplugged.
For years I played with a pair of P bass style pickups attached in a similar fashion. Then, in an effort to make it a bit more discreet, I made this pickup from scratch, using coils harvested from small motors, and rare earth magnets. The framework is 1/4 inch thick Lexan, with a couple aluminum plates clamping it to the sides of the fingerboard. Here it is on my Kay:

View attachment 4157596

The black plastic is just decorative, cut from a 3.5" floppy disc case.

Naturally every pickup system is a compromise because there's no single point on the bass whose motion represents the full tone of the instrument. On the other hand, we're paid to be heard. Nobody ever complained about my sound. Now based on both pickups, I can recount some pro's and con's:

Pro: You can get stoopid freegin loud before you reach feedback territory, because the strings themselves are acting as ideal bandpass filters.

Pro: Or you can take advantage of that high gain-before-feedback to play with a really light touch.

Con: You can't completely get rid of the electric-bassy sound. It's noticeable if you listen through headphones, a sort of "buzz" that I think is related to how a magnetic pickup distorts the signal, not necessarily better or worse, but differently from a piezo pickup.

Con: Playing with a super light touch can turn into a habit.

Con: No arco.

The mag pickup certainly got me onto the bandstand, and I'm glad that I had it, but at the same time, forcing myself to learn to live with a piezo pickup also forced me to improve my playing. It took me going down a rabbit hole of electronics and speaker design to get there, and the journey is far from over. Despite being in the amplification business, I still prefer the rare gigs when I can play unplugged.
With these pickups being on the cheap side, they are somewhat microphonic, which is a good thing in this case. The bass sounds alot woodier than I thought it would. I do have a piezo, and plan on blending the two. Nice work on that pickup!
 
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