How about this for a story from the great British DB player Alec Dankworth :
“I was enjoying the natural sonority of the instrument. So when I returned to the UK in 1980, one of the first things I did was to pick up a copy of Exchange And Mart and look through the back pages to see if I could find an acoustic bass that was being sold privately”. Dankworth was fortunate to pick up a Mittenwald 1870 German-made factory bass for the princely sum of £400. “It’s a small 3/4 short scale bass”, he says. “It has a very distinctive sound all of its own. It’s not a deep bass with a lot of bottom end and it may not be as deep and resonant as other basses. But it has got an attack and centre that I like for jazz playing.”
Twenty-five years later and Dankworth still gigs with the Mittenwald, as he has never been able to find another instrument that produces the same unique sonic qualities. “When I’m in New York I go to [string instrument repairer] David Gage’s shop. I’ve played on basses that cost £25,000, thinking ‘now I’ll find one that I like’. But the sound doesn’t necessarily relate to the price of the instrument – and then there’s always the antique value”.
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