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How do you forget Jaco?

A mind game question.
The lead guitarist in our jazz trio wants us to do Metheny's Bright Sized Life, which he's loved since he was knee-high to a ukulele. I'm cool with the song, chord chart, riff, and so on, but no way can I do a Jaco-type line on it. The guitarist is fine with me doing the bassist-marking-the-changes, it's me that's getting in my way. Any recommendations for keeping the Jaco ghost from breathing down my neck? I have been studying his line, but I know that if I try to use much of it I am going to spectacularly screw up (apart from being way too busy even if I did get it). If anyone does this song, what approach do you take?
I know the best way to learn is to set yourself something you think you can't do, and work like a dog until you can - but that doesn't mean trying to imitate a force of nature. :bassist:
 
I don't know. That's an iconic sound, so it will change the sound of the song quite a bit, even if only to yourself. Try things to see what others are happy with. If they don't complain, then I guess you're good to go. You can always make modifications to it over time as you guys continue to rehearse and perform it.
 
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You don't forget Jaco. You do the best you can. You leave out or change what you can't play solidly. Better to play half the notes well, then all of them poorly. :thumbsup:

Mostly you try to remember that for the most part, no one will know except you. I can't tell you how many times I've been accused of playing something perfectly when I know I didn't. I just say thank you and move on. I once learned a CCR song on the way to an audition by listening. They said I was the only one that played it correctly. :whistle: