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How do you start your "daily" bassroutine

How do you start your "daily" bassroutine (after tuning)

  • stretching

    Votes: 4 7.7%
  • fingerexercise

    Votes: 8 15.4%
  • scales

    Votes: 8 15.4%
  • your on standard execution

    Votes: 0 0.0%
  • your tuning that is a part of you exercise (getting music out of tuning).

    Votes: 0 0.0%
  • playing with some backtracking

    Votes: 4 7.7%
  • in what ever comes to you

    Votes: 4 7.7%
  • free improvisation

    Votes: 8 15.4%
  • free improvisation to some backtracking

    Votes: 0 0.0%
  • directly go in to the exercise of the day

    Votes: 5 9.6%
  • random

    Votes: 2 3.8%
  • it differs

    Votes: 6 11.5%
  • dont know

    Votes: 3 5.8%

  • Total voters
    52
How do you start your "daily" bassroutine. I mean the start up, lets say for the first 3-5 minutes? Do you tune (tuner, fifths, harmonics, octaves?) or just start up?

Do you start with (mostly and after "possible" tuning):
  • stretching
  • fingerexercise
  • scales
  • your own standard execution
  • your tuning that is a part of you exercise (getting music out of tuning).
  • playing with some backtracking
  • in what ever comes to you
  • free improvisation
  • free improvisation to some backtracking
  • directly go in to the exercise of the day
  • random
  • it differs
  • dont know
 
I normally start with tuning with a tuner (on the headstock) and then go with the exercise Im into. Probable cause I have a lot to develop in my playing before I'll be a bassplayer. But thats me!
 
I tune up first, then spend about a minute or two doing gentle stretches, followed by slow chromatic scales and arpeggios played above the fifth fret. So, only after about five to seven minutes am I ready for my actual practice.
 
How do you start your "daily" bassroutine. I mean the start up, lets say for the first 3-5 minutes[/LIST]

I set a metronome to my current BPM and start with an ascending/descending, two-octave scale, in 8th notes, triplets, and 16th
notes followed by the 7th chord arpeggio (8th, trips, 16th) for the scale/mode I have targeted over the current two week period.
 
I pick it up, strap it on, and play the first thing that comes to my head. After a while I'll put a song on my computer and play along with it. Other times I'll do some metronome work. It all depends on what I feel like doing that particular moment.
 
How do you start your "daily" bassroutine. I mean the start up, lets say for the first 3-5 minutes? Do you tune (tuner, fifths, harmonics, octaves?) or just start up?

Do you start with (mostly and after "possible" tuning):
  • stretching
  • fingerexercise
  • scales
  • your own standard execution
  • your tuning that is a part of you exercise (getting music out of tuning).
  • playing with some backtracking
  • in what ever comes to you
  • free improvisation
  • free improvisation to some backtracking
  • directly go in to the exercise of the day
  • random
  • it differs
  • dont know

Usually I warm up by playing Donna Lee in a few different keys.
www.basslessonslosangeles.com
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Power on the tube amp, do some physical stretching of arms, shoulder-shrugs to loosen neck and shoulders, some hand and finger stretching. MAybe even a few toe-touchs. Tune up, then hit something fast with a good backing track to get my juices flowing.
 
Bong hits. :D

Just kidding. Drugs are bad, m'kay?

I voted "it differs". I might noodle a bit, or I might play some riffs (original or cover). I don't have a warmup routine. I just play lightly for a few minutes until I feel more limber.

The bass I'm playing often makes a difference. I'm more likely to play some blues or Motown riffs on my P-bass, where my 6-string Carvin might make me inclined to noodling or playing original stuff, and my 4-string Carvin just begs to be slapped.

In short, I usually just start with some "free play" to get the fingers loose before I delve into anything focused or specific.
 
Every time I pick up my instrument, I play the first thing that my brain makes my fingers do. I approach music from a strictly improvisational context. Bass in hand = express what my brain is wired on at that moment. Good/bad is irrelevant. Then I reflect on what has happened and seek improvement or reinforce good lines through repetition.
 
I follow a home-brewed schedule consisting of warm-up using scales, working on new tunes, techniques or exercises that push me forward, I then finish off by playing tunes I already know well and just have fun.

It really works for me, and I have a structural approach which has helped me immensely in keeping focus and not just fall back on noodling.
 

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