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How does your band choose repertoire?

In my last band I was the BL, so I had final say on what we did and didn't play.
We played cover songs, and had a very specific image/feel, so the song choices
mattered a lot. Everyone got to make suggestions, but it was understood that I had the final,
deciding vote.
 
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We are a Classic Rock band, so we have a lot of artists to chose from. However most of our songs that get added are requested by fans, The number of times a song gets requested steers us to look into adding to our set list. We have a decent following, so we pretty much see the same faces on a weekend gig. These are the people we work so hard to please since they have supported us all these years. RTS
 
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,,.Lately most gigs have been two songs, our newest (which is 18 minutes) and one of three others (9-10 minutes).

18 minutes for one song? I admire your audience attention span!

For my covers band, we use a running WhatsApp conversation to throw in suggestions.
If they're not shot down by anyone with a serious dislike for them, we'll have a go at them at next rehearsal.
If that sounds ok, we'll add it to the collection and fine tune it.
It's a generally democratic method, with the one proviso that the singer gets the final say based on whether he feels he can do justice to the song.
 
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We all propose songs. A unanimous consensus is required to make the list. So, every member basically has a veto.

I usually align my vote with the lead singer — if he ain’t feeling it, it’ll never work; if he is, I’ll play anything.
 
Song selection: Is it something our BL/front lady can sing? Is it something she'll be comfortable singing? Can the rest of us handle backup vocals? Is it in our '60s-'70s-'80s-'90s bag? Then we try it out. If we get it on the first go, it's in. If it doesn't, we figure out why. If it's fixable, we'll persist. If not, on to the next idea! The guitarists balked at a Donna Summers song, and I told them to quit being big babies. One disco song is not going to contaminate their highly calibrated skills. Oh, and I recently hit my personal best--singing lead on not one, not two, but three tunes! Why, if this keeps up, I'll have to have a personal rider in the contract...hmmm...perhaps a bag of Cheetos?
 
18 minutes for one song? I admire your audience attention span!

For my covers band, we use a running WhatsApp conversation to throw in suggestions.
If they're not shot down by anyone with a serious dislike for them, we'll have a go at them at next rehearsal.
If that sounds ok, we'll add it to the collection and fine tune it.
It's a generally democratic method, with the one proviso that the singer gets the final say based on whether he feels he can do justice to the song.
Well, it isn't a cover band. We wrote it.

In our genre, long songs are pretty common. Our shortest is a little under nine minutes. There are bands that have twenty minute long songs, or even in extreme cases, hour-long songs. Our first album was one 38 minute long song. We don't play it live, anymore, though.
 
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We are a variety band....Think everything from Bill Haley to Bruno Mars. Whatever suits our 3-part harmonies and is or was a very popular song across many genres. We just learned "Your Lips are Moving", "Take It to the Limit" and "Help". It's always agreed upon by all 3 of us.
 
My rule of thumb is if it danceable, it's in.
If chicks sing along, it's in.

I have a strict no "c#÷krock" rule. It's
c $÷krock when there's one middle age dude in back screaming "whhooooo" and all the ladies left the dance floor or the club.

Musicians hate this, because we love to play these types of songs because of their technicalities and sentimental value. We are totally into Rush covers, metal, and 70's rock b sides. Chicks at the bar, not so much. Sorry lads, just say no to #oc^rock. My fellow musicians resented my strict policy until they saw the financial dividends and increase in "assets."
 
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I send out a couple of dozen tunes every month that are danceable, interesting and fun to play, well within our abilities as a band and are songs that don't get covered by other local bands. We wind up playing "Little Sister" and "Mustang Sally".
 
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My biggest sticking point is that I don't want the band to play any song if there's even one member who hates the song or band. If there's a popular song we think the crowd would be into and nobody in the band vetoes the song, we'll give it a go. If even one person is strongly opposed, I'm fine with dropping it. The last thing I want is for someone in the band to be miserable, even for 5 minutes. Playing music is supposed to be fun, and none of us (in my band) is paying our bills with show money, so we might as well enjoy the shows we play. One thing I'm big on in my life though is that if I'm going to shoot something down, I will suggest a reasonable alternative.
 
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mostly like others said ;

can we play it well enough , instrumentally and/or vocally ?

will folks like it and dance ?

can we stand/stomach playing given song . ?

i usually did our song lists ... watching tempos ( keep them rising so they'll dance=get thirsty ) , who sings what/when ... best spot for slow tune ... No Dead Air .. !!
 
I have two projects right now. One is very much a showcase for the singer. She makes the call on all cover suggestions, otherwise we do her originals.
Project 2 is a startup straight cover band.
1) Is is in the vocalist's range?
2) Bring a list of songs that fit our identity, pick four or five for consideration, if there is a general consensus on one it goes on the set list.
3) Every member gets at least one of their songs added for the next rehearsal.
4) Every member has one veto a week. If there is a majority over-ride on the veto, it goes on a separate list to consider at a later date.
5) If a song isn't working, or kills the room live, we take it off the list.
 
I'm playing in two bands with very different goals and methods of picking songs.

I manage a Top 40 Variety Dance Party horn band that is specifically aimed at the mainstream dance party audience who wants a party band, and we specialize in private, formal, and community events. We'll only play the better public rooms that can actually pay us appropriately for our significant efforts, which involves full P.A. and lighting for dance floor and stage. It's a bit of a production. We basically let our target audience pick the songs, which gives us a much better chance of acquiring gigs with that kind of client. I researched many most-requested playlists of mainstream songs and ripped off my competitions' playlists. Yes, it is a lot of "Brick House" and "You Shook Me All Night Long," but we are doing well in this market. And it warmed my heart to hand my band members $350.00 each after the last wedding reception we played.

The other band is led by a female lead singer who has a great set of pipes and good instincts. She picks songs that she enjoys singing, sings extremely well, and that she can sell to an audience that may not be familiar with all the songs we play. It's about a 50/50 mix of the familiar and unfamiliar, but there is a common musical theme (think Black Crowes kind of music for the most part, but pretty eclectic). She plays a little guitar too, so she makes for a compelling visual. I'm playing lead and rhythm. We have a solid bass player and drummer. This band is not aimed at any target audience in particular, but the music is engaging and I enjoy it much more from a musician's perspective. We win the hearts and minds of our audiences, but we're doing a lot of multi-band bills, breweries, etc., small stages, small $. This band is successful in a different way because of the lead singer's ability to make tasteful choices that she can sing and sell to the audience.

There are many ways to skin that cat, but I have found that some thought and strategy toward an end goal with the rooms and audiences you want to play for can make a huge difference. Sometimes the "target audience" consists of just the musicians in the band and a little table of their friends and spouses. And some bands are perfectly happy with that. I've always tried to think beyond that, because ever since I figured out how to get paid for entertaining, I'm more about winning the hearts and minds of the strangers in the room. No right or wrong here, YMMV.
 
I'm working with a new group of people, and we're going through this sort of thing now. It's very democratic and transparent - we end up emailing each other links of clips (either the original or a cover version that would be closer to how we'd do it) and we all opine on them. We're very different people with very different experiences, but ultimately we have to play to our strengths - what songs are the best to feature an alto, low volume (not a rock screamer) female vocalist, a former metal guitar soloist who is exploring more jazz and coffee house music, and a very versatile/accomplished keyboard player. I seem to be better at finding the spots where we can all agree because my suggestions consider the criteria above vs. a personal connection to a song. For example, they were all really pleased when I suggested Fleetwood Mac but to me, this was a pretty obvious choice. I'm also pleased with the basslines as well. Anyway, we're really doing this more for fun, so positioning vs. other bands is not really much of a consideration - that probably helps to take some of the pressure off.
 
I would be terrible to work with...I'd be too tempted to pick awful songs and insist we play them...

Band Leader: Dude, you've been pitching that song for 30 mins, we are NOT doing it! Why do you keep suggesting it??
Me: Clowny Clown Clown by Crispin Glovers plays, man...it just PLAYS...
Band Leader: How in the world do you dance to THAT?
Me: *Shows first 15 secs of music video*
Band Leader: Ohh...well we're still not doing it!!!



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