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Any competent booking agent would understand about time & expenses because they've done this before. They would have asked the band up front, before signing an agency contract, what their limits are for distance vs. pay. Many bands don't think of such things up front, & some people get so excited about just "working" that they don't care what they have to do for a gig. This is something that really needs to be considered before it happens.
Sit down with a map & figure out some "zones" around your local area based on approximate drive time. Don't feel that your zone boundaries need to be precise - if there's a sizable town with lots of gig opportunities just outside a nominal zone boundary, go ahead & stretch the zone to included it.
Figure out a rough guess of what it's likely to cost you to haul people & gear to & from a gig in each zone & share this information with your agent so that he can price those gigs accordingly. For example, you might have an inner "local" zone, where you can get there or back in an hour or less. Another zone might be up to 3 hours away, while a 3rd zone might be 5 hours away. Set up some basic rules for gigs in each area. In Zone 1, for example, you might instruct your agent that they can take any gig that pays $XXX or more. Zone 2 might be your base plus something for travel time & gas. Zone 3 might be base + mileage + overnight lodging + food.
Also, consider setting a minimum number of consecutive nights within a certain distance of each other for gigs in certain zones. Maybe allow less for travel if sound, lights, backline, food, lodging, etc. are provided. For anything outside of your local zone, your agent should have to call first for your approval before committing the band.
I always like to say, "The music is free - it's what we like to do, anyway. What you're paying for is loading, transporting, setting up, & operating the gear!" If you think about it that way, you can set up a "travel surcharge" system that's similar to what a freight/delivery company might use.
I realized that my post was a little misleading because of the way I worded it. This show was not booked by an agent, but rather the guitarist who does all the bookings. Also I have to admit that I dropped the ball, When I was first told about the show, I through it was an hour an a half away, and now the guitarist is talking about renting a Van and going down together. Either way, I am going to have to chalk this up to a learning experience.
I am in a Rock/Pop Cover band, your basic bar band. Although We do work pretty steady. ( Well I think ? ) 2 shows a week on average.
The guy who does our bookings , booked us a gig that is a 2.5-3 hour drive!
From my perspective it comes down to pay and maybe I am wrong, but with all the expenses subtracted we will be lucky to clear 100.00 apiece. Which is less then our usual pay.
So I am curious what your throughts are about this. While I have made it a pledge to never argue about money, when I think about putting in almost a 12 hour day for less then 100.00 it kind of makes me kind of sad. lol !

Back from the gig yesterday. Turns out, no trailer was available so we removed the rear seat from the van and stuffed everything back there and whatever we could under the seats!Funny this thread came up. I have a gig this weekend in SC (I live in VA). BL has rented a 15 passenger van and trailer for the gear. We also have hotel accomodations. So no money coming out my pocket. I'll be clearing $200 for this one. BL is only doing this one as an exposure thing. Would be more money but we don't have our own sound so we have to rent. So that's about $400-$500 right there that would have been divided by 9 (aprox. an extra $50 per).
For a gig where I'd have to drive that far...........nah....unless I'm getting gas and hotel money!
Actually did not have to rent sound. It was already provided. Hotel was nice. Drive was more like 5 hours each way. Not bad. Oh, and we were fed too.