some would argue that seriously, not everyone believes in tonewoods.
Some people also still think the world is flat, despite hundreds of years of evidence to the contrary. But let's not distract from the thread with a side argument.
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some would argue that seriously, not everyone believes in tonewoods.
If nothing else, I think this shows the incredible mark up on instruments.
Extremely cheap parts, extremely cheap labor, not having to pay any business costs for the product to be made, and the ability to sell thousands of these a month allows them to keep the prices very low. Get rid of any one of these and the thing you call mark up becomes necessity in order to have a sustainable income on a product.
It makes me sad when I hear people on TB complaining about the high prices on boutique instruments- they obviously haven't taken the time to think of all that goes into running a sustainable small business in the US. Most of those master luthiers who have decades of woodcrafting experience are pulling in less than $15 an hour.
That can be said about any small business. Someone can work and save their whole life to open a little hardware store and then 2 months later a Wallmart comes along and has a bigger selection at better prices. But what's the answer? Spend more to keep someone else in business?
And yes, I'm fully aware that it doesn't cost much for those parts and they don;t expect a big profit, but, again -- it shows that making a decent instrument these days doesn't really cost a whole lot. If they can build an Affinity for 50 bucks, they can build a custom shop for $300.00
Not an adequate analogy as the hardware store is purchasing someone else's products and merely reselling them, not creating them. An adequate analogy would be an artist selling his paintings from a shop and Wal-Mart moving in and selling mass-produced paintings made by machines for $19.95. And to the folks just looking for a painting to match their couch, they're fine. To assume that because their both simply paintings and comparable on the level of price alone (along with the "matches the couch" factor) because of this though is ignorant to say the least.
The whole idea of a custom shop is that you're getting an experienced craftsman working in the US to do the work with quality materials and acute sense of detail. Paying him a meager $12 an hour wouldn't cover your $300 limit. And that's not including parts, insurance and maintenance costs, machinery and tools, rent/mortgage, advertising, average sales, and profit margin, all of which need to be figured into each instrument to maintain a business. Fender can afford to lower the price on their custom shop basses quite a bit due to their standing in the market, but nowhere near what you think. Boutique builders can't even do that.
I see your point but cannot agree 100%. I don't see it as art. It's a craft. (Unless you want a bass that's an exotic shape and wood, etc). An electric bass isn't a Boesendorfer piano.
And the analogy of the hardware store still applies. If it's the same end result, why pay more?
As for the painting comparison, it can go either way. Sometimes people DO want something that matches the couch. It's just decoration. That doesn't make them ignorant.
And just because a painting is an original doesn't mean it's more pleasant for that purpose -- just as a hand made bass isn't necessarily better suited for someone's musical needs. A stock $800 P is often preferable to a $8000 Alembic.
It's priced for its inherent value, both from creative value and material/business value.
Basses are also not priced like Bosendorfers. Regardless, viewing it as art or craft (if you even view a difference between the two) is up to the purchaser, and has no universal definition. The design and though that goes into creating a lot of basses is pure art to me. Neither of our opinions matter though unless we are purchasing said instruments.
It's not applicable, because the hardware analogy implies both parties are simply repackaging other peoples' good, and the bigger retailer can sell them for less. Neither party is creating anything. It's surprising that you don't see the difference as a professional musician. That's like comparing a live show in a club to simply popping in a tape for the audience. If you think the end result is the same just because you're ending up with music, then that's fine for you, but it would take a real strain to try to make a logical connection between the two.
The ignorance would come from thinking that it's the same thing as the professionally made work of art simply because they both fit a very narrow-minded criteria. If I want my drink colder, I could put an ice cube in there, or I could put a miniature ice sculpture that took 20 hours and years of experience to create it in there. Both will get my drink cold. Assuming they are equivalent because they match my narrow criteria would be an error.
That would be comparing apples to oranges then. Why purchase anything that doesn't fit your required criteria? If the two items are comparable yet your criteria is still limited, then you likely don't need the more expensive option. Confusing them for being the same simply because both match your criteria is foolish though. The more expensive item shouldn't cost less simply because the less expensive item fulfills some of the same purposes. It's priced for its inherent value, both from creative value and material/business value. The less expensive item has no bearing on its price. Drop the price of the expensive handmade item to try to compete with the less expensive mass-produced item, and you'll be working harder for less money until you finally go out of business.
Well, I guess we don;t agree on the analogies. Live music and a D.J. is NOT the same product. A hand built bass and an assembly line bass that does the same thing IS.
And there's NEVER a reason for an Almbic. If that's what you want, great. But it's not like anyone will be missing out on a section of work because they don;t have a hand built bass. in fact, in most studio situations, the engineer and/or producer would prefer a stock instrument to a customized one.
There is no such thing as inherent value.
Whether it cost a nickel to make, or $1,000,000 to make - it's value is only what someone will give in exchange for it.
Inherent value is the value you place in it. Whether someone's willing to offer you a nickel or $1,000,000 to make it, there is a value to the piece that you have assigned to it. It's like saying "my work is worth XXX much". Whether someone is willing to pay it has no bearing on the value it is worth to you.
Inigo Montoya: You keep using that word. I do not think it means what you think it means.
($1 to Princess Bride)
inherent: existing in someone or something as a permanent and inseparable element.
Yes. Inherent. It is worth x amount of dollars to me- no opinion outside will change this permanent and inseparable element. A value that is not altered by outside elements. It is also a value that may mean nothing at all to the market. It is not inherent to them. Inherent does not mean an accepted truth to everyone.
It's a bit of a semantic/philosophical issue, but i would generally consider that intrinsic as opposed to inherent value.
Inherent to me mean "inherent to the valued item" - i.e. the ITEM carries an inherent value, separate from the evaluator.
I don't think that works out in the end though. Take anyone's idea of what is inherent to everyone ("people are inherently good", or "it is an inherent truth that all men are created equal" for example) and you'll find other people who disagree, which would negate that value that should be universal. I don't think there's anything that can be universally agreed upon to where you can apply your definition of "inherent" and make it stick.
some would argue that seriously, not everyone believes in tonewoods.
Some people also still think the world is flat, despite hundreds of years of evidence to the contrary. But let's not distract from the thread with a side argument.