I transitioned from four to five strings in the late 80's, and until a few years ago, I owned nothing but fives (I bought a Squier James Johnston on a whim as I was smitten with the matching LPB paint job).
As you've found out, it's a completely different instrument than a four: The muting is different, the extra string opens up the fingerboard in more ways, obviously a wider fingerboard, generally requires a more/better amp to steadily make low C's and D's on demand, and allows you play more across the fingerboard than up and down. I often sit around E on the low B, and anything lower or higher is just not that far away.
The usual jibes about having a built-in finger rest with the B or 'it's just a four with an extra string' tells me this is from someone that prefers a four, which is fine, or didn't spend enough time with it to see the difference which is OK too. I never understand these sort of defensive comments, never equated how many strings your bass has as some sort of test of musical masculinity. Play what's best for YOU !
I've never once considered going back to a four, the advantages and the way a five matches the way I think of the fingerboard just suits me perfectly. I'll toot around on the Squier four just for grins, but it's just a very occasional itch it scratches. After about a half-hour, it dawns on me that I'm missing the five, and that's that.
I'd also have to say for me, that a 'dream bass' . . . is a mirage, a constantly changing image.
As you've found out, it's a completely different instrument than a four: The muting is different, the extra string opens up the fingerboard in more ways, obviously a wider fingerboard, generally requires a more/better amp to steadily make low C's and D's on demand, and allows you play more across the fingerboard than up and down. I often sit around E on the low B, and anything lower or higher is just not that far away.
The usual jibes about having a built-in finger rest with the B or 'it's just a four with an extra string' tells me this is from someone that prefers a four, which is fine, or didn't spend enough time with it to see the difference which is OK too. I never understand these sort of defensive comments, never equated how many strings your bass has as some sort of test of musical masculinity. Play what's best for YOU !
I've never once considered going back to a four, the advantages and the way a five matches the way I think of the fingerboard just suits me perfectly. I'll toot around on the Squier four just for grins, but it's just a very occasional itch it scratches. After about a half-hour, it dawns on me that I'm missing the five, and that's that.
I'd also have to say for me, that a 'dream bass' . . . is a mirage, a constantly changing image.
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