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Just an example of how I used to approach the bass-line, starting with its rhythmic template.
Let's use the same "Brand New Jones" track.
Here is the drum pattern from the song just slower (set to 70%.)
Listen carefully how the drum player is dynamically articulating that pattern.
It's our Rhythmic foundation that we are going to build a rhythmic bass pattern/template.
Your comment has produced a question for me - "filling an eighth note rest."
When do we have a bass "FILL" and when do we have "the third part of a great groove is the groove tail?"
How do we separate/discern the bass "fill" from the groove tail, or from some "moving/walking" to the next target note on Beat 1?