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How often do you really use the extra string on a 5 string?

Sep 26, 2008
3,734
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Have it be the low B or high c?

I tune my basses CFA#D#G.
I've been telling myself I NEED that high G.....but I'm trying to think about when I ever use it? I don't!:eek:

The width of a 5 string neck is what I really like (big hands). 5 wide just feels right, but don't really need the extra strings.

The reason this is on my brain, is that I'm looking at a EBMM Stingray 4.........but I keep saying "No. Wait for a 5'er."

:confused::confused::confused::confused::confused:
 
I play both 4 and 5 string, I prefer a 4 string for slap bass or some specific songs that require a lot of speed. However I very rarely use my B string on the lower end of the neck mostly because I think my cabinet/amp can't keep up. I generally player the B higher up the neck or from the E all the way down just to get more range.

I too have the same problem, I have pretty big hands and the warwick necks are already pretty narrow (some say like a baseball bat!) and the 5 just feels right in my hands.
 
4 of my 5 basses are 5-strings.

When I play the 4-string it's inevitable that at least 2-3 times during a couple hour practice I'll have a "damn... I need that low string" moment.

So I'd have to say a couple times an hour or more.


It's there when you need/want it. A 4-string can't offer that without a detuner.
 
Sometimes frequently, sometimes rarely. It depends on the music.

When you need it, you need it.

Like working with the guitar player who picks up an ax tuned E flat for the SRV tunes or the songs that get keys changed and you don't want to abandon the low notes in the factory bass line...

Yeah you can down tune but, that's a PITA especially if you're a low action guy. Yeah you can use a hipshot 90% of the time but, that can mess with your head if you have to suddenly transpose one string on the fly.

IMHO
 
Have it be the low B or high c?

I tune my basses CFA#D#G.
I've been telling myself I NEED that high G.....but I'm trying to think about when I ever use it? I don't!:eek:

The width of a 5 string neck is what I really like (big hands). 5 wide just feels right, but don't really need the extra strings.

The reason this is on my brain, is that I'm looking at a EBMM Stingray 4.........but I keep saying "No. Wait for a 5'er."

:confused::confused::confused::confused::confused:

Sounds to me like getting a 4 string with a wide string spacing and tune it BEAD (the lower for of standard 5) would make a ton of sense for you...

I'd be curious where you came up with the "C F A# D# G" and is that a typo is the top string G# or just G?
 
Sounds to me like getting a 4 string with a wide string spacing and tune it BEAD (the lower for of standard 5) would make a ton of sense for you...

I'd be curious where you came up with the "C F A# D# G" and is that a typo is the top string G# or just G?

Which basses have a wide string spacing?

It's just standard E dropped down two steps, and yes G#, oops. :hyper:
 
A lot!

Mine are always tuned BEADG and a whole lot of the songs I play are in Eb and having access to the notes on the B string is critical to me (I can't even count the number of times I've done chromatic runs up to the low Eb). Even in other keys, it's also nice to be able to play lines that go DOWN to the 5th as opposed to up.

For anyone playing Urban Gospel, a 5-string is almost mandatory.
 
I play in an original hard rock band that pretty much requires the low B string. It gets utilized (to some extent) in every song and contributes to the style of the band.

I suppose I could adjust on a 4-string but it wouldn't be the same without D-tuning.
 
I'd be toast without a B string. Out of my 4 basses only 1 is a 4 string and it is strung BEAD.

Interesting point...I have four 4-strings: a Ric, a J, a P and a Squier VM fretless. If I were to experiment with BEAD tuning, would that be a decent way to "test-drive" a five? Which of these basses might be the best candidate for the alternate tuning? Are there any drawbacks (string tension, neck damage, etc.) to going BEAD with a fiver?
 
I use the B pretty frequently, it's great for playing some solid simple thumping lines, great root for certain chords, for some low-end slap, and of course 5 finger tapping (....someday). As mentioned by others it depends on preference,style, etc. You seem to have an interesting choice for tuning, so I guess it really depends on preference. 4's are cool...but it just feels like something is missing.
 
I use mine enough that I don't consider it an extra string anymore. Even if I'm not dropping below the standard E, I'm playing on the B string frequently.