I have smaller cabs and I'll use them often, but I have an 810 (soon to be two) because there is just nothing like it, and no other cab on the market gives me the boneage that it gives me.
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I used to cringe at owning an 810 until I stumbled on a Markbass CL108 on clearance at GC, then I found it weighed
75lbs and had castors. In love it and I really don't have to turn up loud to get great tone with my MB F500 which is plenty to power it with at 4 ohms.
You didn't put a smiley there. Are you serious? A 1x10 doesn't even sound the same as a 1x10 if the cabinet designs are different.
There are 10s with super "tonal definition," whatever that really means. Each guy hears tone differently. And there are 10s that are as lousy as lousy gets. If there is a 10 (are some 10s) that do it for you, terrific.
But saying all 10s sound "tighter" than all 15s is just incorrect. There are 15s that are every bit as "tight" as "tight" 10s, or "tighter."
Again, it's all about the specific driver & its specs/characteristics.
It means you can hear a balanced response with tighter mids. I have never played a 15 that sounds as tight. I am sure they may be out there, but it's probably a pain to find and expensive.
There is a reason the most toured with cabs are the 8x10s. They sound incredible and also look good on stage (on a big stage this is always nice). They also are a PITA when you don't have a crew and are doing smaller venues, and that is why I go with 4x10s.
I also go direct through the PA and use the cabs as my monitors, so spending a ton of cash on speaker cabs to me is not worth it. The Mesas were given to me and they sounded great. We never micd my cabs on tour, and I used in ears, so i mainly got to learn the nuances in my ears prior to touring. I owned 1x15s, and switched the 4x10s rather fast.
Im just a 4x10 guy, and all the dudes I toured with all agreed with me. I feel like the best places to invest $$ into bass gear is your bass and your DI.
"Vastly superior" is in the ears of the beholder. Tradition or not, if the Ampeg 810 didn't work so well, nobody would use it. I can think of a hell of a lot of "classic" gear that went the way of the Edsel. If it doesn't hold up to scrutiny on today's terms, people wouldn't use it.
I've done it. I liked it. Not as much as the fridge, though. So no, not in every way imaginable. To you, sure. But you aren't everybodyWell, it has to be at least pretty good or better, sure. No argument. But would many use it just because they've seen it so much & therefore think it must be top notch? I believe the answer is affirmative.
I'm not saying that the classic Ampeg fridge isn't good. I know it is. What I am saying is that, for me, a 215 (or 2x15/2x6.5) or two 115s (or two 115/6.5s) with the drivers I've referenced outperforms the Ampeg "fridge" in every way imaginable. And it's simply my belief that most guys who do an honest taste-test between these specific options would agree that the fridge is the less good (not bad) choice.
You mention you owned 115s but switched fast. No worries. It's your gear. If you didn't care for it/them (at least in comparison to some 410), then you didn't. But a 115 isn't a 115 isn't a 115. Not all 115s are the same, just like anything else. The question is which 115(s) did you use? And if you haven't had the opportunity to play a 115 with the mentioned 3015 or 15PR400 (or similar driver, & there are some), or a 115/6 with the 3015LF & a top quality mid, then you just haven't experienced & aren't aware of what a top notch 115 or 115/6 is capable of.
Still get a lot of pain in my back if I think about moving the 8 x 10 around I did a few years ago xDHow popular are 8 x 10 cabinets?
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Pretty much everybody like the sound they make ... and pretty much nobody wants to move one.
That's cool, but I already explained why I don't invest a ton of $$$ into cabs unless I'm on tour, and then I take what I am given (its always 10s).
I truly prefer the sound of 10s to the point where I would not look for an alternative.
I've done it. I liked it. Not as much as the fridge, though. So no, not in every way imaginable. To you, sure. But you aren't everybody![]()
. I still think that of guys who are really open & willing to do a true & honest comparison, the vast majority would not go for the fridge first.I always wanted a big cabinet, and my first 'pro' rig ever was a Markbass SD800 with one of their 6x10s. The rig was awesome, and the 6x10 was great because it only weighed in at 68lbs. That said, it was still a 2 person schlepping job due to it having no casters and due to it being pretty much impossible to lift up stairs or into a car without someone giving you at least the initial leverage needed to get it up.
I've been using 2x12s and sometimes two 2x12s for all my gigs since selling that 6x10 and I couldn't be happier. I can move them by myself, and I have the convenience of using one for rehearsals and small gigs and two for large gigs, which has been amazing. And to be 100% honest, the 2x12 I use now (Genz Benz) has no problem filling most venues I play. The 6x10 might do a hair better, but honestly not much, and by the time we get to big venues my 4x12 would absolutely smoke the 6x10.
8x10s will always be popular in the eyes of those who don't know better or by those who have the means to move them (willing band mates, roadies, and the means to move it from place to place via a vehicle), but for those of us who gig often and don't have such means or conveniences are fine using 4x10s, 2,x12s, and sometimes even smaller rigs.