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I am getting addicted to flats.... is it my hearing.

Two of my four basses currently have Chromes on them. I have another set of Chromes still in the package that I will probably put on another bass. I just got in to them about six months ago. Before that I had always used round wound strings. Besides the deep, mellow tone I love how much easier they make it to move around the fret board. Right now I'm working on songs like "Come Together" and Zep's "Ramble On", both of which require moving around the neck a lot. The smoothness of the Chromes makes it almost effortless and there is no string noise!
 
I am sure that's why you see many reply posts in "which strings" threads which simply summarily state an opinion of anywhere from great to abysmal, but don't give any analysis as to the fundamental factors of the setup or tonal makeup as to why.

IME, this kind of thing is absolutely commonplace in TalkBass evaluation & review threads in general: There is no shortage of opinions about what works well (or badly) with what. But there is a great dearth of insight as to the reasons why. :rolleyes:

MM
 
I was a round wound guy for 25 years. But I started playing more jazz, so in the interest of a different sound. I tried some Chromes. Then some GHS flats. I found myself loving the tone and feel.

The Chromes need some time to break in for me.

I love the lack of string noise and stuff. We play a very noisy instrument. We make a lot of non musical noises.

I only have rounds on one of my regular basses now. I just put Chromes on my Carvin strung E-C.
 
Another option - Pyramid flats. I have been using them on my P-Bass for 3 years now and love the sound and feel. I've been using the same bass for 40+ years and have tried everything - mostly rounds until about 5 yrs ago. Beautiful strings, pricey but the best flats out there for me. For the record, the flats I've tried include Chromes, TI, Fender, LaBella, DR, probably a few more that I'm not remembering.
 
IME, this kind of thing is absolutely commonplace in TalkBass evaluation & review threads in general: There is no shortage of opinions about what works well (or badly) with what. But there is a great dearth of insight as to the reasons why.

Or what "works well" even means. That may be what you meant, but my point is ...

if you want to talk about Thomastik-Infeld Jazz Flats, and all you can say is they're the best -- you don't have to recount all the different strings you've tried, and the many years over which you've come to this conclusion. If all you can tell us is that they're the best, you're just talking to yourself, and you don't need to waste any more time on it than you want to.

What you're saying is essentially "if you want to sound like me, use these strings!" And of course that might make sense in the exceptional case where you're a well known bass player who some of us might want to emulate.

The odds are really much better that I don't want to sound like you (and vice versa.) Not because you're a loser, but we play different styles of music and have a totally different "sound concept" if you will.

Most strings out there are great for someone, especially you know this for sure if they've been on the market for a long time. Someone's buying them. If I want to hear from the people who are buying them, it's not to find out that they exist - we already inferred that - but what they're doing with the strings, what they sound like, feel like, etc. (And of course it's much more useful if you happen to know not just the brand, but what gauge and scale.)
 
I have been exclusively a flatwound user for going on 5 years now. I started with Sadowskys (real nice) switched to Daddario chromes for a long time, then went with stainless flats. I recently got a Danelectro Longhorn that came with GHS Precision flats and I have loved those and the Longhorn. The Longhorn was so playable that I stopped playing my Am Std Jazz for awhile.....couldn't allow that to stand so I finally sprang for TI Jazz Flats for the Jazz bass. I. Love. Them! The tone is totally different than any flat I have ever tried and they just sound awesome on the Fender Jazz. They did want I wanted too.....much more playable than DR Legends and the upper two string sound so much better, even though I try not to use them!
 
I have been using TI Jazz Flats ever since Carol Kaye introduced me to them. I actually bought a bass from her that had a set installed. Ever since then, I have a set or two around. Right now, a new set is on my PJ. The thing really sings. So smooth playing too. Those strings helped me to lighten up my right hand technique. Overall good thing I think. Rounds on the new P at the moment. :-)
 
I'm in the same category as Jimmy. Rounds sound much better when I play on my own, but in a band setting I think flats fill the bottom a little better when contending with 2 guitars. I've showed up to practice after removing flats and adding fresh rounds only to have my band mates ask why they couldn't hear my bass as well.

When I play modern rock or my Alice in Chains cover band I use DR low riders, but use either GHS precision flats or Labella flats when playing classic rock.


I feel the same way as Jimmy. I've come to the conclusion you did; for a modern rock tone, I use D'addario XL220 rounds. They work best for that. For the oldies stuff I do, I use flatwound strings. They work better for me in that situation.
 
I have been playing bass for nearly thirty years and was a string bass major in college... I am not new to flats..... but what is new is the number of musical situations and basses that I find them appropriate for. I used to just have them on a P Bass for old school jank. But more and more I want to heat the fundamental and am not satisfied with most of my basses with rounds save a passive Jazz or maybe a Ric. It is the fundamental that I want to hear in the mix. I hear more tonal differences from different brands of flats and I dig them.

I am not done with rounds but when I get a new bass, most times the first thing I think is "I wonder what kind of flats would sound good on this bass?"
Definitely should see a doctor! :p
 
Possibly Fender, or La Bella ... or Rotosound, or GHS, maybe Ernie Ball? Thomastik-Infeld, D'Addario. Not in that order. Every one of them has its fans.

There are videos on youtube where a guy will compare a few flatwound brands. Here's one: . You can imagine how much work that is, to set all that up - put some headphones on, don't let that work go to waste by taking random people's advice on talkbass!