JazznFunk
Supporting Member
Um... it's the other way around... You would be shocked at the amount of work that was/is required to fit most music onto an LP.
This. LPs have a vastly reduced dynamic range and time constraint compared with CDs, which is why they have to be mastered and sequenced differently, often with a bass cut that a proper LP preamp has to add back in (the RIAA Curve). CDs have so much more dynamic range that it got exploited to a negative degree with the loudness wars of the early/mid 2000s. You can master a CD to sound just as 'warm' and dynamic as a record if you want. You just have to want it and have someone who knows how to do it.
There's a lot of confusion and misinformation about 'compression' and what it is/isn't when it comes to digital audio. There's audio compression/limiting of the recording and initial master before it goes into any physical format or even a digital file for the end user - and then there's compression of the actual digital file(s) depending on the format/medium, which also affects the end result of an MP3. They are not the same thing - but they affect each other. Things are often mastered differently for different streaming platforms too.
I adore vinyl too, but CDs have their advantages as well.... and I'll take either any day over streaming.
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