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I built a new twelve string bass

The Brooks EXB-12-3P is finally ready
It's been a hell of a job to build this one, but the result is this brutal red monster bass

- Mahogany body
- Three piece Mahogany set neck. Glued in
- Soul Red Chrystal 46k finish
- Ebony fretboard
- Red position dots
- Jumbo frets
- 34" scale
- Buffalo horn nut
- ETS twelve string brass bridge set
- Two spokewheel double action trussrods
- Carbon reinforcement strip in the neck
- Lace Alumitone Bass Bar in the neck position
- Double Lace Alumitone Bass Bar in the bridge position
- Two separate outputs.
- Series parallel switch on the back
- Gotoh GB 350 lightweight bass tuners
- Gotoh Stealth ST 31 guitar tuners
- d'Addario EXL 170 - 12 strings
- Weight: 5.2 kg
Electronics circuit by Bas Becu.

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This is proof that bass can replace all instruments in a band.
 
That is serious cool.

I agree with everyone else: that bridge and tailpiece are perfect Great choice on the hardware too. I always kinda wondered who needed Gotoh Stealths, given guitars don't usually weigh that much, but this is the perfect place for them.

The only problem is now you gave me GAS for a 12 string but I already have way to many builds on the go!
 
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The Brooks EXB-12-3P is finally ready
It's been a hell of a job to build this one, but the result is this brutal red monster bass

- Mahogany body
- Three piece Mahogany set neck. Glued in
- Soul Red Chrystal 46k finish
- Ebony fretboard
- Red position dots
- Jumbo frets
- 34" scale
- Buffalo horn nut
- ETS twelve string brass bridge set
- Two spokewheel double action trussrods
- Carbon reinforcement strip in the neck
- Lace Alumitone Bass Bar in the neck position
- Double Lace Alumitone Bass Bar in the bridge position
- Two separate outputs.
- Series parallel switch on the back
- Gotoh GB 350 lightweight bass tuners
- Gotoh Stealth ST 31 guitar tuners
- d'Addario EXL 170 - 12 strings
- Weight: 5.2 kg
Electronics circuit by Bas Becu.

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Got any sound clips?
 
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That thing is awesome! Excellent work!
39F8A86A00000578-3895748-image-m-200_1478045686118.jpg
 
There are so many things about that bass that I would have said I don't like, before I opened the thread and saw it. After opening the thread and seeing those pics, I think I might be in love. That is beautiful, and beautifully made!

Two questions though:
  1. I loved the look of the laminated neck. Had it been me, I'd not have painted over it. Was that a choice you made, or a requirement of the person you built it for?
  2. Is there any danger that the series/parallel switch on the control cover could get switched when the bass in being worn/played?
 
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Reactions: Basvarken
The Brooks EXB-12-3P is finally ready
It's been a hell of a job to build this one, but the result is this brutal red monster bass

- Mahogany body
- Three piece Mahogany set neck. Glued in
- Soul Red Chrystal 46k finish
- Ebony fretboard
- Red position dots
- Jumbo frets
- 34" scale
- Buffalo horn nut
- ETS twelve string brass bridge set
- Two spokewheel double action trussrods
- Carbon reinforcement strip in the neck
- Lace Alumitone Bass Bar in the neck position
- Double Lace Alumitone Bass Bar in the bridge position
- Two separate outputs.
- Series parallel switch on the back
- Gotoh GB 350 lightweight bass tuners
- Gotoh Stealth ST 31 guitar tuners
- d'Addario EXL 170 - 12 strings
- Weight: 5.2 kg
Electronics circuit by Bas Becu.

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That's amazing! Love that the switch for series/parallel is on the back, that's a nice touch. Finish looks phenomenal too. Great job!
 
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  1. I loved the look of the laminated neck. Had it been me, I'd not have painted over it. Was that a choice you made, or a requirement of the person you built it for?


  1. I laminated the neck for strength and stability, not for esthetics. ;-)
    The Mazda colour was my own decision. The guy who I built it for gave me carte blanche for the colour.
    So I grabbed my chance to try this colour for once (unbenownst it would be such a pain to get it right...

    [*]Is there any danger that the series/parallel switch on the control cover could get switched when the bass in being worn/played?
    Not really, it is recessed so it barely peaks out over the surface of the plastic plate.
 
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Very curious to hear the Alumitones. I have a Q-tuner in the neck position of my Waterstone TP-12 34" and a pair of Lane Poor wide apertures in my Hamer B12L. IMO, the Q-tuner sounds very good in a 12. The LPs are nice too (very open, natural sound), but lower output, not as full in the lows, and difficult to get these days.
 
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