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I don't like the new guy.

From the original post, it doesn't sound like the three of you have played together; you've just seen the two of them together (once?). I wouldn't necessarily rule out joining them based on that. If they've only just started playing with each other, perhaps the new guy was still finding his role in the act and, over time he'll get less busy. Perhaps he feels the need to fill some space, and with a bass player added he wouldn't.

I'd say it would be worth asking for a rehearsal session with the two of them to see how it goes. If he's still overplaying in that context, it's your opportunity to raise it constructively. If your friend doesn't agree, that's where you can bow out gracefully.
 
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A friend of mine is a singer/songwriter in kind of the soft rock/folk genre. He's an okay acoustic guitar player, good singer and fantastic songwriter (briliant lyriscist). I have played with him a few times and have played bass on his CD.

Recently he had a new guy join him. The other guy plays acoustic guitar. I recently saw them at a local coffee shop. The new guy is good but over plays and noodles around. He is basically soloing through my friend's songs. It was really kind of distracting. Luckily his volume was a bit low.

Well my friend wants me to play gigs with him. I would love to.....but not if the other guy is playing with us.

What should I do?

I would say this to your friend: "I would love to.....but not if the other guy is playing with us."

Job done.
 
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A friend of mine is a singer/songwriter in kind of the soft rock/folk genre. He's an okay acoustic guitar player, good singer and fantastic songwriter (briliant lyriscist). I have played with him a few times and have played bass on his CD.

Recently he had a new guy join him. The other guy plays acoustic guitar. I recently saw them at a local coffee shop. The new guy is good but over plays and noodles around. He is basically soloing through my friend's songs. It was really kind of distracting. Luckily his volume was a bit low.

Well my friend wants me to play gigs with him. I would love to.....but not if the other guy is playing with us.

What should I do?
Tell him you'd like to do a jam - rehearsal to see how it feels and do just that.Maybe with another player aboard he'll be less busy,or not.If he's still overplaying you could suggest toning it down,but that may not work in which case you can give them a polite "no thanks".
 
I vote for the honest conversation.

A couple of years ago my buddy from a previous band tapped me to play bass in his new band. He sent me the demos to work on. I sat down for one night working on them, and realized it just wasn't floating my boat....at all. So I called him the next day and told him, this isn't my cup of tea - I'd be a bad fit after the honeymoon period. I didn't waste his time. He found another bass player and moved his project right along. We are still friends to this day.
 
A friend of mine is a singer/songwriter in kind of the soft rock/folk genre. He's an okay acoustic guitar player, good singer and fantastic songwriter (briliant lyriscist). I have played with him a few times and have played bass on his CD.

Recently he had a new guy join him. The other guy plays acoustic guitar. I recently saw them at a local coffee shop. The new guy is good but over plays and noodles around. He is basically soloing through my friend's songs. It was really kind of distracting. Luckily his volume was a bit low.

Well my friend wants me to play gigs with him. I would love to.....but not if the other guy is playing with us.

What should I do?
Grow up and help a friend out.
 
Since there's writing within the project, you might consider saying 'Let's see if we can craft the songs into compositions/ arrangements'. There are great examples of 'space', orchestration and nuance you can gather and provide as a starting point. If everyone's in on taking a producer/ arranger approach it would be a lot easier to apply constructive criticism and put a nix on noodling if there are actual parts for this guy to play. Much better off with 2 acoustics playing together instead of just playing...

(electric band) we used to deliberately turn down when rehearsing to improve interplay and dynamics. Had a guitar player once who absolutely could not. He literally said he loved rehearsal because it's the only slice of his life where he could rip and riff at full volume so it was great for him (while it lasted) at the expense of everyone and everything else.