ptidwell
Commercial User
IMHO, you made a great choice. I too have one of each and I hear the differences between the two in the woods. Also where you are playing is IMO the greatest venue in the world.
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This is were I would differ then. Every day I think I want to trade my MTD 635 away, but I'm really afriad I'll regret it very much. While I dig the tone, I'm just not sure I can commit the energy right now in my life to conquer the 6 string.
.....But I am sure your situation is different.
Work at it and I'm sure you'll get there.This is were I would differ then. Every day I think I want to trade my MTD 635 away, but I'm really afriad I'll regret it very much. While I dig the tone, I'm just not sure I can commit the energy right now in my life to conquer the 6 string.
you know, man. I am not authority but I have been playing for over 30 years, so i was thinking.. could you video yourself playing and demonstrting where you have the problem? send it to me and i can look at it and see if i can help you at all with technique. Six strings bring along a whole new set of challenges. It's a lot of strings to maintain control of. I think it's a muting thing, something you may be able to control. Well, i KNOW you can control it. MTD's are very alive . And I would not put it past me to use a soft hair tie around the zero fret of the MTD635 coming my way to help with muting and dampening.But I am not sure that is the problem you are facing. If you can send video, send it to me at [email protected]. Could be from your phone, whatever. Good luck, bro!It isn't really, I think I'm just lazy.
I've been practicing on my own more in the last couple of weeks than I have in the last year. I really want to learn to control this bass and the sympathetic vibrations caused by the incredible resonance, but sometimes it gets very frustrating. I am trying to learn the "floating thumb" technique, and just when I make progress on it, I start noticing things like I can't get the same attack like I can when my thumb is anchored on a pickup, and now my arm is resting in different spot on the bass than I used it, and it is starting to irratate that spot on my arm.
I really want to play this bass and conquer it, but it gets frustrating sometimes.
I was in the same boat. My problem was the extra string did not hinder me from playing what I wanted to play, my issue was I was not using the extra string at all. So I figured why have it. Over the last week here is what I have learned. Used 6 string MTD'S don't come around that often, (it is harder finding good used 5 strings these days too). If I ever got rid of my 635 I know it would be hard to find one as nice, and for the price I paid for the one I have. I also realize a new one is well out of my price range, that is why for better or worse I will just keep it even if it means playing it like a 5 string.
I've owned 3 Roscoe 6 string basses and in the end, the reason that I sold them was because I felt like I didn't use the high C string enough to justify having the 6. But each time that I sold or traded the 6 away I immediately missed the feel and overall tone of the 6 string bass. I'm convinced that the extra mass of the 6 string neck adds some phatness to the overall tone of the instrument. Plus, as others have stated, the 6 presents some new and refreshing challanges that the 5 doesn't. It kind of puts the edge back in playing.
I'm really a Roscoe kind of guy (just love that thick tone) but I got an opportunity to get a nice MTD 635 so I went for it. It'll be here Monday so I'll see what I think about it. I owned a 535 with tulipwood body/myrtle top w/wenge neck and FB and didn't really like the tone. The 635 coming has a tulipwood body/burl maple top w/maple neck/rosewood FB. Hopefully it'll be a litle warmer and smoother sounding than the wenge. I figure worst case is that I'll sell/trade and get a Roscoe 3006.
you know, man. I am not authority but I have been playing for over 30 years, so i was thinking.. could you video yourself playing and demonstrting where you have the problem? send it to me and i can look at it and see if i can help you at all with technique. Six strings bring along a whole new set of challenges. It's a lot of strings to maintain control of. I think it's a muting thing, something you may be able to control. Well, i KNOW you can control it. MTD's are very alive . And I would not put it past me to use a soft hair tie around the zero fret of the MTD635 coming my way to help with muting and dampening.But I am not sure that is the problem you are facing. If you can send video, send it to me at [email protected]. Could be from your phone, whatever. Good luck, bro!
Adrian
Glad you're keeping that 635 - it's gorgeous, and, with the wood combination, I can imagine it sounds that way.
It's both refreshing and depressing to hear how folks enjoy worship in their Churches. Two years ago, I had the great blessing of attending a Mass (guilty, Catholic) in Nashville. Phenomenal preaching, AWESOME music, and a sense of community in a place where I was a total stranger.
We live in Southwestern PA - I've been in Music Ministry for a good 40 years now, and even though we've belonged to the parish where we live for 8 years, we still feel like strangers more than half the time. It is my sincere hope that before I die, one of these days we'll play a David Haas song right - with a "Gospel" feel and a screamin' lead guitar...or an Ed Bolduc song with a horn section and soulful descant. I'm all for incense and reverence where appropriate, by my prayer this Easter season is to have our congregation realize that clapping on beats 1 and 3 of "Soon and Very Soon" as a recessional hymn only makes people leave that much faster rather than foster a community spirit.
Hope your MTDs speak His praise loud and clear, especially this weekend!!
Z