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honestly, i think little people were fine with being called midgets until billy barty came along and told them they shouldn't be called that.
If you actually believe that the quality between a squire squier and a ken smith is the same, clearly you are not looking close enough.
nice!About 6 years ago we were playing in San Antonio, Texas. During a break a News Crew was preparing to interview us for the local nightly news. The "young blonde" reporter was talking with one of the folks who was attending the show and she asks this guy ( a "little person" or "midget" or whatever the PC word is..) what the proper "name" for him was, was it "Dwarf" or was it "Midget" or was it "little person"....what should she call him....he looked at her for a second and said..."John"
I walked up and shook "John's" hand....
about a year ago i posted that i was done with the dirt cheap cheapos. i was wrong. i'm not only not done with them, that's about all i use anymore.
lol! true dat, but i just loaded up my micro vr rig for my gig todaySays the man with the vintage SVT and fliptop.![]()
Mojo-Man said:
Good thread.
I walked this fine line for a long time.
Don't get me wrong, I've owned MTD. Roscoe, Stambaugh,
Lakland USA, Padulla, all are wonderful basses.
But and off the rack Fender, G&L, Gibson, orwhat ever, can be great as well.
I've come to conclusion, that you have to judge each bass on it own.
Not the whole bass, the piece of wood used can be the same quality, i swear i've seen squier, stagg, etc with nice and stable maple necks!!
The thing is that sometimes we speak just from looking at the instrument, but it would be great to hear from a wood expert if there's good or poor maple, i really don't know if all maple is the same or some parts of the tree that are of poor quality!
I really appreciate the good work, and attention to detail from boutique basses, but I will not be fooled by the multiple layers, or fancy tops!
Someone inevitably will. That's how sour grapes work.
Jealousy is a funny thing. Many don't even realize they are.
But when I see a Ferrari on the road I don't long to own or drive one and I assume that the person driving it is most likely a tool. Same with boutique basses.
There are many different types of maple and a luthier like Ken Smith will have a lot of wood around drying for a few years before he makes a bass out of it. The drying is really an important step that takes attention to detail, which is one good reason that boutique basses can be better than their off-the-shelf competition is.
KO