Gave the BTB505 a set up and some Prosteels, for some reason it kinda sound dark. Are there trim pots on the preamp?
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Just pots with matching knobs that aren't wired to anything, aka Sklar 'producer' knobs.The only downside is that now I have two empty holes that weren't taken up by pots for the Lusithand. Anyone have ideas on how to cover/fill them without altering the bass?
Wouldn't it have been simpler to simply mod the TRS to make it non-locking?Oh and I also replaced the locking output jack (which I've always hated on every bass I've had that came with one) with an XLR jack. Let the cable headaches begin!
I did that and wasn't thrilled with it. I like XLR connectors better in general.Wouldn't it have been simpler to simply mod the TRS to make it non-locking?
Nice! I'll try to find some black ones to match the rest of the hardware.Use these for the holes. This is what I used on my Tune but ultimately just added a passive active switch and series parallel switch.
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I'm not gonna talk you off it, because I'm on there with you.Guys, talk me off this bridge:
View attachment 5476520
I want it, but I don't need it.
But I want it.
I already had a Dingwall NG3 6, and a Z3 6 on the way, when that came out. I still bought it. It’s a good bass.Guys, talk me off this bridge:
View attachment 5476520
I want it, but I don't need it.
But I want it.
Agreed. I've owned a lot of expensive boutiques, including 3 Series Alembics, and I've shown my BTB846v to a number of non musos and non gearhead musos and they've been complimented for the FnF. The electronics I can easily sub out, but you can't change that, and for the price, I'd never buy another boutique, unless I become very rich, got one for a serious bargain or it was so, so much better that I couldn't live without it.On the positive side, it just looks great. The fit and finish are flawless, on par with my Pedulla and Tobias basses.
must see pics!!! drop the action down until the strings are on the other side of the fingerboard and make the relief flat, you will get your mwahWell, fretless 1999 Ibanez Prestige BTB 1005 of the experts here, I pulled the trigger on the against the sage advice I was looking at. So I’m officially joining the BTB ranks with this beauty.
From what I can find, the bolt-on fretless is a rarity. This is my first Ibanez bass and my second fretless. I keep one at the church (where I play Sundays), so I wanted another one stationed at home for practicing.
It’s easily in 9.8 condition. I mean, the plastic placard that tells what the controls are for is still on it! The hardshell case is pristine, looks like it never came out of the closet. Obviously, this bass left the house seldom if any in the last 25 years.
The only thing keeping it from being 10.0 pristine is fretboard wear. The strings it came with were Thomastik-Infeld JR345, and those things are really aggressive, and the ’board is pretty gouged up from them. Be warned, probably not the best choice for fretless, especially if you do string-bending vibrato. I’m going to have it resurfaced.
What’s it like? I’ll start with the negatives, so I can end on the positive.
For starters, it sounds really dull for a fretless – indeed, it sounds more like a regular bass than a fretless. Doesn’t have much of that fretless “mwah.” The best way to get some “mwah” is panning to the bridge pickup, but then it just sounds thin and nasally. My other fretless didn’t sound that great when I got it either, but adjusting the pickup height and putting on some DR Sunbeams brought it to life. Didn’t work this time.
In addition, the sustain is nothing to write home about.
Absolutely hated the Neutrik locking jack. I found a Youtube video with directions on how to de-activate the locking mechanism. But I must have done something wrong, because it got me an intermittent connection afterwards. I ended up replacing the whole thing with a Switchcraft plate and standard female barrel jack.
On the positive side, it just looks great. The fit and finish are flawless, on par with my Pedulla and Tobias basses. The sweepable midrange control is a nifty feature. The overall balance is fabulous, with no neck dive – probably the best of any bass I currently have, regardless of price. And, the neck is wonderful, my favorite type – 19mm string spacing with a shallow, asymmetrical profile, ala Tobias. Those “monorail” bridge saddles are awesome – only kind I’ve ever seen where the string stays in place while you’re putting on new ones.
All in all, it’s a keeper. I’m sure I’ll enjoy it a lot once I get the fretboard issues dealt with!
Regards,
Wayne A. Pflughaupt
Pedulla Club #45 Unique Arrangements of Hymns, P&W Standards, and Original Tunes
Administrator, Official Tobias Club #133
Administrator, Fretless Club #943
Big Cabs Club #23
My Basses
My Rig: Stage and FOH Friendly
against the sage advice
Well duh, as long as I've been "Talkbassing" you'd think I'd know that! Here ya go.must see pics!!!
Hi can somebody help me?... I have a a BTB 676 ( mk2 18v preamp) without switch, i need to know what value have the VOLUME POT and what type is this "A" or "B"?... Thanks
Well duh, as long as I've been "Talkbassing" you'd think I'd know that! Here ya go.
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Regards,
Wayne A. Pflughaupt
Pedulla Club #45 Unique Arrangements of Hymns, P&W Standards, and Original Tunes
Administrator, Official Tobias Club #133
Administrator, Pedulla Club #45
www.basschat.co.uk