I am a 12's user and lover, however if only one cab from the SW line my vote too goes to the 1x15.
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For me the TT800 and 115 are a perfect match. It's not that the 115 is an old school 15" cab, but there is something about its solid, full but tight bass and full mids that complement the TT vibe in good way. Of course I would say that thought goes double for a SW215.Glad this thread has been resurrected. Most of the comments refer to using the 115 or 112 cab with either a D800 or 800+. What about paired with the 800TT? I play in a five-piece band (two guitars, keys, drums and me). We play rock, Motown, R&B/soul from the mid-60s into the 80s. I mostly play a Lull pbass with Lollar vintage pups and LaBella Deep Talking flats. I'm guessing the 115 may work best, but would appreciate what your experience is.
IME the D800 was too dark and lacked detail. I sold it and picked up a WD800 and it was a big change for the better. Both it and the D800+ are stellar with the SW115. Plenty of detail and mid grind on tap.Really interesting thread with great real-world user experience. This gives me pause to think. Why? I demo'd a Mesa D800 head with the Mesa 15" Subway cab yesterday at low volume. I was not getting as much detail or mid grind as I wanted. But this thread makes an excellent point about using the 1x15" Subway cab at "band volume" to hear it perform at its best.
Ultimately for a single cab, almost no 1x12 cabs give me the full complete sound that I want. (except for a Baer ML112. That cab is special!)
Seeing all the votes of approval for a single 15" Subway cab make sense as it will likely be more 'supportive and full.'
I really want to try the 2x10 because there will be times when that's all I would need. And the Combination of 210 and 115 would be superb. My local shop has a 210 on order. So I look forward to trying it out when the time comes.
I'm currently waiting on a SW212 that is on backorder. After reading the forums here for weeks and taking alot of peoples opinions into consideration, that is the route I decided to go. Initially I was going to go the 410 route but changed my mind. Rave reviews across the board for everything Mesa Subway, but the 212 seemed to be talked about the most. At least from what I seen. Received my D-800+ last week. Patiently waiting.....
Hey Gman...Why not get all three?
I've got the 115 112 and the 210 teamed with the D800. The 115 is the pick, sometimes on stage I hear myself and think "that sounds so perfect". View attachment 3029615
I HAD a 115 and 210 with the WD800 for about 18 months. The 115 is very even across the spectrum and I found the 210 to be a little scooped. I was never totally satisfied and dumped both cabs and got the 212. Was SOOOO much happier after that. The 212 has a pronounced upper mid I love. It's difficult to say if the 210 went lower since there are so many other frequencies that jump out.Hey Gman...
I have the SW 115, 112 and a D-800 also. Was considering the SW 210. I would most likely use all 3 cabs the majority of the time. Can the 210 get a little thicker in the bottom end than the 115? Also, what genre of music do you play? I'm almost exclusively rock/hard rock. Thanks!
Thanks for sharing!I HAD a 115 and 210 with the WD800 for about 18 months. The 115 is very even across the spectrum and I found the 210 to be a little scooped. I was never totally satisfied and dumped both cabs and got the 212. Was SOOOO much happier after that. The 212 has a pronounced upper mid I love. It's difficult to say if the 210 went lower since there are so many other frequencies that jump out.
Also, I was still not totally happy and dumped the WD for a NOS Prodigy and now I'm in heaven!
I prefer and aggressive rock tone. (Think Chris Squire, Geddy Lee)View attachment 4811575
Hey, GManfromOz...Why not get all three?
I've got the 115 112 and the 210 teamed with the D800. The 115 is the pick, sometimes on stage I hear myself and think "that sounds so perfect". View attachment 3029615
I tested Subway 2x10,1x12, and that 15" inch one stood out tall. The other two are good cabs, but average for a good manufacturer, but that 15" is magical.Easy… Subway 115 (and if you can swing it, x2).
The 115 is magic.
Definitely the 115.I'm pretty set on the D800+ but only have enough funds for ONE MESA Subway cabinet- either the 210, 112, or 115.
Here's the thing- I'm really more of a guitar player who is picking up the bass for a project. So although I can try all the cabs at the store, I stilll wouldn't know what to look for in terms of what constitutes "a good sound".
With that in mind, I'm thinking maybe I'll rattle off a few keywords and hopefully they would enable you to advise me as best as possible, please:
- Bedroom/Home Studio playing 95%
- Live playing 5% (<200 pax events)
- Fender P-bass
- Music Man Caprice
- Flatwounds
- Motown ("What's Going On")
- Neo-soul (D'Angelo, Erykah Badu)
Please don't recommend Bergantinos, Barefaced, fEARful, etc. I'm in Malaysia so it's either Ampeg, Fender, TC Electronic, or MESA. Shipping and taxes of these exotic cabs would be too prohibitive.
Thanks!
Ps. Yes, I have searched. There is that one HUGE thread on MESA that's like 4,000+ posts or something. I just can't read through all that. I hope you understand.
Thanks for your post. I also have a Walkabout and was thinking that it and the 115 would be good together.Just got the 115, that I'm powering with a Walkabout. Fills the whole room with volume and booty. Very impressed with this cab.