I have a MusicMan with oiled neck, Fender with satin, FGN with gloss. Don’t notice the difference when going back and forth between them.
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Now you’ve gone too far! Tell my left arm that neck dive is “metaphysical” after 3 sets with my ancient EB-2. ...and it’s a very light instrument overall. Oh, and it does have a glossy nitro-finished neck.
PS: While you’re on a roll, why not throw in fingerboard radius.
I was at my local Guitar Center today to return my Ibanez EHB1000, and also see how much they would give me for my NS Design WAV Radius 4 (metallic crimson). It was a pretty relaxed day for me, so I had some free time and went into the bass department to play some of their basses.
Some of the basses I played had glossy finishes on the necks, and I wondered to myself why anyone would ever want a glossy neck, as they feel tacky as soon as your hand is even the slightest more moist than a dry desert, and when it's tacky, you can't slide your hand up and down the neck very smoothly. But obviously enough people like them for the companies to keep making them with glossy finished necks. So I'm just curious--if you like glossy necks, what do you like about it over matte or unfinished necks?
Glossy necks don't bother me. . . . . . . . because I don't slide my hand on the neck.
Your thumb should be the point of contact and you should move (not slide) your thumb when you want to change the placement of your fingers.
It doesn’t make a difference to me either way.
Try practicing playing OFPF without your thumb or any part of you hand touching the back of the neck.
First my off topic comment. Generally if you're sensitive to the slickness of the neck like this, there is an approximately 85% chance that you're dealing with neck dive. You're having to hold the neck up with the fretting hand at the same time you're trying to play; this forces you to maintain a "grip" on the neck while you're shifting. And, hence, the need for slipperiness, etc. So if you treat the neck dive, this will generally go away. Because you can fully let go of the neck when shifting, the texture of it won't matter anymore.
In a shop, of course, you generally have to sling the bass over the leg sitting on an amp or something in the usual way when we're bass-shopping, so this is unavoidable on neck-divey basses like our Fender types a lot of us play. What you can do is get a strap, attach it to the rear straploc and sit on the strap to hold the instrument in place. Dodgy, but it gets the job done.
That's how I play my Fenders these days and it's an acceptable workaround for playing seated.
As for the topic, I prefer thick gloss finishes. I guess mainly it's because the slick reflective surface just looks cool. It really gives the appearance that the wood is fully sealed and a thick layer of plastic does help protect the wood from dings and scratches, etc.
Matte finishes are ok, but I don't like the "ultra-thin" type matte finishes. Just doesn't "feel" like enough protection and sealing of the wood to me....
L
Glossy necks don't bother me. . . . . . . . because I don't slide my hand on the neck.
Your thumb should be the point of contact and you should move (not slide) your thumb when you want to change the placement of your fingers.
Now that you mention it, the only two instruments with gloss Neck finishes (Out of dozens) that botherd me had serious neck dive issues.First my off topic comment. Generally if you're sensitive to the slickness of the neck like this, there is an approximately 85% chance that you're dealing with neck dive. You're having to hold the neck up with the fretting hand at the same time you're trying to play; this forces you to maintain a "grip" on the neck while you're shifting. And, hence, the need for slipperiness, etc. So if you treat the neck dive, this will generally go away. Because you can fully let go of the neck when shifting, the texture of it won't matter anymore.
In a shop, of course, you generally have to sling the bass over the leg sitting on an amp or something in the usual way when we're bass-shopping, so this is unavoidable on neck-divey basses like our Fender types a lot of us play. What you can do is get a strap, attach it to the rear straploc and sit on the strap to hold the instrument in place. Dodgy, but it gets the job done.
That's how I play my Fenders these days and it's an acceptable workaround for playing seated.
As for the topic, I prefer thick gloss finishes. I guess mainly it's because the slick reflective surface just looks cool. It really gives the appearance that the wood is fully sealed and a thick layer of plastic does help protect the wood from dings and scratches, etc.
Matte finishes are ok, but I don't like the "ultra-thin" type matte finishes. Just doesn't "feel" like enough protection and sealing of the wood to me....
L
I like it because that's what my '65 Jazz came with and I loved the neck on that bass. My '82 Jazz has the same neck profile that my '65 did but in a maple neck. Took me almost 10-years to find another bass with the same neck profile and shape as on my '65 after my '65 was stolen in 1976. It also has the gloss finish and it just feels right to me. Also, I don't have sweaty hands so my hands don't stick on it.I was at my local Guitar Center today to return my Ibanez EHB1000, and also see how much they would give me for my NS Design WAV Radius 4 (metallic crimson). It was a pretty relaxed day for me, so I had some free time and went into the bass department to play some of their basses.
Some of the basses I played had glossy finishes on the necks, and I wondered to myself why anyone would ever want a glossy neck, as they feel tacky as soon as your hand is even the slightest more moist than a dry desert, and when it's tacky, you can't slide your hand up and down the neck very smoothly. But obviously enough people like them for the companies to keep making them with glossy finished necks. So I'm just curious--if you like glossy necks, what do you like about it over matte or unfinished necks?
It entirely depends on the quality of the finish. My EBMM Sabre has a glossy neck, and it’s never been even slightly sticky, even after hours of playing.