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Im getting swindled, right?

I had been in this band for two and half months, and they decided to record some of their newer songs. I joined the band after all these songs were written and i only contributed obvious bass lines to the simple tunes. When the idea of recording came up, i asked the obvious question of how much it was gonna cost. they told me that they were going to use a guy that they had used in the past who does it for cheap. I ask how much is cheap. they say $15 an hour, which does seem pretty cheap to me. I ask how many songs we are gonna do. they say three. I ask how long do they expect it to take. they said probably about 20 hours. I say okay, sounds reasonable. I go in after the drummer and find out they decided to record 5 new songs instead of three. ( i wasn't able to make it in the first day). I'm like whatever at the time, because it was just me and the engineer, so who am i gonna even discuss it with. I do the 5 songs in under 3 hours including set up. After i'm done i call the "manager" up and ask him when we decided to add two songs. He says they were in there and they just decided to get them done. So i said "how much more is this gonna cost." he said, "don't worry about it, it won't be much more than we originally calculated." Three weeks go by, and today one of the singers calls me and says we are picking up the songs next tuesday and that it's gonna be $284. I'm like cool so who do i give my $60 to (~284 / 5). he says no thats $284 per person. I'm like HOW!??. He's says, "well we spent 28 hours instead 20 because we had 5 songs instead of 3." I say, "so how does 28 times 15 divided by five equal 284." He's says you have to add the $200 per song. I say "what?".
him->"The guy charges 200 per song."
me ->"no one told me that."
Him->"Um, we sent you a text with all the recording prices broken down"
Me-> "i don't get texts, I've told everyone that several times."
him->"well we agreed to split it five ways"
me-> "i agreed to that when i thought it was going to be $60."
him->"well we're picking it up tuesday are we going to have the money by then"
Me-> "no."
him-> "well i guess we can wait for friday. Do you get paid this friday?"
Me-> "yes."
him-> we'll have bye friday then.
Me-> "im not paying more than 60 dollars no one told me about the 200 dollar per song charge, this was not are agreement."
him-> "we agreed to split it"
me-> "whatever i have another call, I have to go."
I answer the other call, who was the drummer of the group. i tell her, (yes her), that singer called me and said it was going to be 284 per person for the recording. She's says okay. I say, "That doesn't seem like a lot to you?" SHe says, "it's less than last time." i say, "hows that, last time you only did three songs." she says, "well last time we spent forever on guitar and bass tracks because they both sucked."

now im pissed.

I call the guitarist up, who is new to the group as well, and only wrote chords for one of the songs and tell him the news. he is upset also, even though he knew about the 200 dollars per song. He found out, by chance, from the engineer after his third day in the studio. I said, "why didn't you tell me that." he said, "i thought you already knew."

to be honest I think they should be paying me for laying down these tracks. I had nothing to do with writing them. I had no creative input, and on top of all that, apparently i saved them money by not having whatever hack they had before me give them a go. The guitarist is thinking of not paying them also. This band only gigs like once a month, and barely makes any money when they do. when they do gig it's sloppy and the singers forget the words. the drummer can't keep a solid beat and doesn't know the songs as well as i do and she's been in the band for a year plus. The band is basically, me and the guitarist playing well and everyone else not. After the last gig went terribly I was considering quitting anyway. Now i definitely am. I'll play the gigs i have already agreed to play, only if they can't find a replacement for me, and then im out. I guess i was wondering if i should pay for the recording or how much i should pay. right now i'm thinking of paying my time, ~$45 and letting them handle the rest. Am i wrong?

ps. sorry this was so long, and even more sorry for adding this ps and making it even longer.
 
Both you and the guitarist are getting ripped off. I'd give the "manager" the $60 you owe him, which is all you owe him, and leave the band. Don't let them steal your equipment.

Above all, just don't put up with this bullsh**
 
Ah, changing the rules mid game.

Like MOses said, pay your $60 (which is what you actually owe them) and leave the group. There`s no reason for you to be involved with people who give you the runaround.
 
I'd tell them that since you weren't in on the decision to change the terms of the deal and that they sent you a text after you told them you don't text, that you'll only be paying the original share.

It their mistake to assume you'd be putting in more cash to their project. Hey, they may have just got you into the band to help pay for the recording,who knows?

Be sure and get your equipment out first.
 
No mention of song ownership. The only way I'd ever assume an equal share of expenses would be if I had an equal share of ownership (& any income that might go with them).

If you're not sharing in ownership, then $15/hr is awfully cheap for your time (i.e. them to pay you).

Another demonstration of why you should always nail down all agreements in writing, in advance (it's called a "contract").
 
The good-guy thing to do: pay 'em the $60 and leave, as everyone already mentioned.

The bad-guy thing to do: stiff 'em and leave. I doubt they'll go after you in court and even if they did, nothing's in writing is it? But is there a chance that would follow you around to other bands? You don't want that kind of reputation if it's already hard to get gigs.
 
Firstly, thanks for all the replies. I realize now how naive i was about the whole recording process. Nothing was ever put down in writing, which was clearly a mistake. I have decided to contact the engineer and see exactly how much time I have spent in studio so that I can pay him directly (it will be less than $60). I have all my gear so there is no danger with any of that. If i weren't worried about my reputation i wouldn't pay anything at all. I think that i am being nice here in just giving them my bass lines and paying the engineer. Anyway i'm not too worried about my rep. because i already have the respect many local musicians, and everyone that i told about this said they should have paid me. The guitarist said he not paying them a dime, but he's not quitting either. He said he going to play the last three gigs scheduled and he's getting paid for them ("or else".) I don't know how he plans to work that out, but good luck to him. anyway, thanks for your advice.
 
...so it would seem I'm late to the party and you've already decided what you're going to do - which seems like a decent course of action - however, I'd like to caution you for future reference, that when anybody ever quotes an hourly rate for recording, ALWAYS ask what the flat fee is.

Because there always is one.

Many engineers/producers, especially independent ones like myself, will often charge a simple flat fee per track, and not worry about hourly - we figure we'll put in the time to do it right, make the artist happy, and have a repeat customer. But better-known folks can afford to charge for their time as well.

But I've never heard of anybody charging only an hourly rate.

Also for future reference, $200 per track is very reasonable, and is in fact pretty standard in my neck of the woods.
 
Personally, I would also have the engineer destory the recordings you made. No sense letting those low lifes profit from the work you did. It might seem like you're wasting your $60 then, but really you're not going to get anything out of it anyway.
 
But I've never heard of anybody charging only an hourly rate.

Actually, lots of people do, including me. $40 / hour, 8 hours minimum. It's, imo, the best way to do stuff, no one feels screwed when it's done. I have had people spend a few hours to do one track, and I have had people spend a full week to do one track.

But to the original point, I understand they changed the game on you but what's done is done. If the tracks are good and you want to work with the band, pay the $300 or whatever and it's a lesson learned on how to interact with everyone. If it's anything but that, pay the $60 and thank them for the opportunity. No need to get angry or petty, tho, keep your cool!
 
yeah, thanks for that bit of wisdom. i do feel bad for the engineer. that is the only reason i am paying anything, but he brokered the deal with them, not with me. Also they have used this same exact guy before, so they knew the prices per track and everything. I also don't buy that they ever texted me the information because the "manager" gave the same line to guitarist, who does get texts, and he said he never got it. I do hope they end up paying the engineer in full, but i don't feel it's my obligation to see that he gets paid. If they want the songs they'll pay and i know they want the songs. I liked the engineer, he was i nice guy and from the very little i heard of the tracks (just me and drums) he does a good job. He definitely deserves his money, but i think they will pay him, they just won't do it buy tomorrow or friday. anyway thanks again for replies.
 
$284/person for 5 songs is not a bad deal.

I need to know if the guy was intentionally misleading about the cost or is just ignorant about communication.

Normal people will realize that they didn't communicate well and apologize. Might even offer to go halves on the unexpected cost.

Either way, unless this guy does a 180 and tries to make good with you. Pay your $60 and quit.
 
Not very professional, is it? I just would not bother. The guy that mention wiping the bass lines has a point. Never work without a contract for Live gigs, for studio sessions or any other aspect of music business. People are working on a composers input to recordings by bassists and others when recording songs that have no bass line etc.in the arrangement. A percentage of composer royalties should be paid but this has not been mentioned lately.
Unless this is for major release, just bail out and don't bother. If you get on with the guitarist - find a drummer and singer and start a new band. If it is just a tuppeny-halfpenny demo. ~ why worry. Set about improving your situation.
 

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