Another option to get close to this sound:
Bass -> Fuzz -> EHX POG2 -> Reverb
Start with your bass soloing the neck pup if you have it. The fuzz (I've used a TAFM and W&C PPB to great effect) adds the hair-like quality of a bow, and the POG handles the attack delay and some of the octave over tones. Then just some light reverb.
This setup works well with the "correct" hand technique, for lack of a better term. It takes some practice to get the best "cello" sounds. Also using a volume pedal helps to get longer cello swells and crescendos.
Bass -> Fuzz -> EHX POG2 -> Reverb
Start with your bass soloing the neck pup if you have it. The fuzz (I've used a TAFM and W&C PPB to great effect) adds the hair-like quality of a bow, and the POG handles the attack delay and some of the octave over tones. Then just some light reverb.
This setup works well with the "correct" hand technique, for lack of a better term. It takes some practice to get the best "cello" sounds. Also using a volume pedal helps to get longer cello swells and crescendos.