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IMO, another BS feature on some basses...

Perhaps a better test would be to hear the same bass strung through the body and through the bridge. I mean who's to tell what a through-body sounds like if you only hear it through the bridge?

Still the question remains - is there an audible difference? Or is it all in the feel? Or in your head? Is it perceptible to the audience? Is the music better with thru-body stringing?
 
I don't think there's a tonal difference that a human ear could detect, although I suppose it could probably be measured - still wouldn't sound different though.

But string thru basses do feel different to me, at least. The string and wood feels like it vibrates somehow more deeply. It could be entirely in my head but the fact that I perceive that difference is enough to cause me to play differently, however subtly and THAT is quantifiable in recordings. I PLAY better when I feel that I'm playing on a quality instrument, and to my mind that often includes it being a string thru bass.
 
I don't think there's a tonal difference that a human ear could detect, although I suppose it could probably be measured - still wouldn't sound different though.

But string thru basses do feel different to me, at least. The string and wood feels like it vibrates somehow more deeply. It could be entirely in my head but the fact that I perceive that difference is enough to cause me to play differently, however subtly and THAT is quantifiable in recordings. I PLAY better when I feel that I'm playing on a quality instrument, and to my mind that often includes it being a string thru bass.

Is that comparing two different basses, or the the same bass with two different stringing methods?

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I've restrung E strings from bridgemount to thru-body with mixed results. Some were no different, others sounded noticeably better, mainly 'less dull' ie. the resonance matching the other strings.

There have been topics here about string tone problems that were corrected by simply restringing. For example, the original installation may have produced a twist in the string, or a witness point may have not been properly set the first time.

Many times an improvement is not the result of the change itself, but by the correction of some problem in the process of changing something.

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As a 5 string player I prefer string through just for the extra tension on the B string.. it really helps as we drop tune 1/2step.
I have two G&L 2500 the fretless does not string through and it is 9 years older than my fretted , but both are wired passive with full coil tapping .
Sound wise the fretless is bolder sounding
That is the only difference I hear.
My 2 cents
Duke
 
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