Bryan R. Tyler
TalkBass: Usurping My Practice Time Since 2002
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- May 3, 2002
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This Gary Willis quote is referring to fretless 6 strings, but I think his point about the sound of a high C is valid IRT fretted basses too.
"I'm compelled give you my opinion about the sound of a fretless C string: It kinda sounds like a cat. And I don't mean that in a good way.
-snip-
Really, except for the 5 extra half steps that don't exist on the G string, every other available note on a C string sounds much better if it's played on the G string. So, if you can get over the sound problem, is it really an advantage? If I find myself unable to finish an idea because it includes notes above the high G then I'm usually able to get to that note with false harmonics."
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Gary's one of my very favorite bass players, but that theory has way too many holes in it. The high C on a fretless can sound bad, particularly in my hands, but look at Michael Manring- a lot of his most beautiful work on fretless bass is with piccolo strings, so he's playing way above high C yet creating some of most beautiful bass sounds around. Also the advantages of having a high C string are the same as having a low B as far as horizontal movement goes- it's a lot more economical to go vertical up to the C rather than horizontal up to the high end of the G string; this is particularly useful on fretless because intonation gets really iffy the higher you go.