• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Is bass mostly a percussion instrument?

Yep, it depends how you play it. I like to play it as a rhythm. But then you take a guy like Fieldy from Korn who plays it as more of a percussion. So much so that I don`t even know if his actually hitting notes as opposed to just hammering on the stings.
 
Everyone in the band have to have good rythm ... it is not just the job of the drummer and the bass player.

The first note louder ? yeah ... it is how it is suppose to be no matter the instrument you play ... at least it is how classical music is showed.

Third ... it depends what kind of music you play ... I prefer how bass is percived in jazz, prog and classical musique where the bass is more the low voice than the one you play root-5th with some fill there and there...

And if you dont play slap I don't see how it is percussion

My sentiments exactly. If anything, I think it's more of a harmonic/rhythmic instrument, since you generally use it to outline chords/chord changes and the beat of the music (rhythm).

I think that might have been what you meant as opposed to percussive, but I won't put words in your mouth.
 
Since there was no drummer I found myself filling in more of a rhythmic role. I was playing a lot of ghost notes in between my regular bass parts to fill in the missing drum rhythms. It actually ended up working out really well.

...no doubt. Just ask Larry Graham & Louis Johnson. Their thumb/pop style was an early attempt to cover drum parts in a group with no drums. (Mother is the neccessity of invention).
 
According to Webster:
Percussion Instrument - a musical instrument (as a drum, xylophone, or maraca) sounded by striking, shaking, or scraping.

True...then there's "prepared bass" (check out Ben Allison, for example). Going by the definition above, a piano is more "percussion instrument" than a bass (piano's strings are struck with a hammer).
That said, like others here have alluded...you can play bass (& any instrument) with a percussionist mentality. In Latin music, a lot will say every musician is a percussionist-first.
Guys like Free Jazz bass meister William Parker sometimes talk about thinking of the bass strings as drums-
E = kick
A= snare
D= tom
G = cymbal

...sometimes, as a practice thing (& come to think of it, something I need to get back on)...talk a drum chart (like one of my favourites for this exercise, Clyde Stubblefield) and play the kick with notes on your "E" & play the snare with notes on your "A". Then try inverting the drum chart rhythm...essentially putting the "A"/snare part on the strong beats(maybe "1" & "3") while putting the "E"/kick in the backbeats (usually "2" & "4").
Just food for thought...
 
A bass is not mostly a percussion instrument, it is a bass. I see no need to say we are more like a drummer or guitar player as much as I would say we are more like a violinist or french horn player. We play the bass and obviously in different roles we use our instrument differently.

Rufus Reid said it well in his DVD and I will paraphrase. When there is no drummer we need to be able to keep time. When there is no piano (guitar) we need to fill in the harmonic content and when there is no horn (singer) we need to provide the melodic content. We should not rely on these other instruments and should be able to play sufficiently with out them. We shouldn't need them but rather want to play with them.

Sounds like a few of you want to play follow the drummer, what if the drummer is trying to follow the bass player? We then have nobody leading and in turn who's following what?
 
I agree, in one studio session I was warming up by playing some fast scales and runs, the producer looked at me amazed and was like "that's amazing, you're really good". I replied that, as a bassist to be good, I needed to be able to play one note with groove and rhythm and make it fit and sound good, and that that is much harder than flashy runs. I preceded to lay down a nice very simple bass line.

Obviously the bass can be used as a melodic instrument and a harmonic instrument, but IMO in a band situation, a bass is more important to the rhythm of a song than the drums, and I think that makes it a percussion instrument.

EDIT: I am not a slap player, primarily finger funk and pop.
 
I personally like to think so.

Often the complaint from a drummer about a bassist is that the bassist has no rhythm. I went to see a local cover band for which the bassist is about to leave and the drummer's chief complaint about the bassist is just that.

The bassist was actually not too bad, but it was obvious that he was what I guess he was: a converted guitarist, who switched to bass after he was asked to in a previous band who could not find a bassist.

He did hit the right notes, but his fingering technique was also very typical of a guitarist. He did not have any stretch at all and his fingers were clenched together.

On top of that, he was absolutely still. No tapping, no swinging, no nodding.

I was taught by my very first teacher to hit the 1st note harder than the others and the advice I got early on from older bass players was to swing, tap and nod, feel the beat.

Granted, you need to hit the right notes, as the bass is the one instrument that is likeliest to trash an entire song by playing the wrong ones, but a bassist who does not understand that bass is a percussion instrument will never get to the next level.

Am I the only one to think that it is MOSTLY a percussion instrument?

I don't think bass is "mostly" a percussion instrument. I don't agree with you. I do play the bass percussively, sometimes, with slap technique. Don't confuse percussion with keeping time. Everyone in a band has a responsibility to keep time, groove, swing, etc... and observe a feel of a song. Secondly, there are musics in which even percussion instruments do not keep time, overtly, and are used for texture.
 
A bass is not mostly a percussion instrument, it is a bass. I see no need to say we are more like a drummer or guitar player as much as I would say we are more like a violinist or french horn player. We play the bass and obviously in different roles we use our instrument differently.

Rufus Reid said it well in his DVD and I will paraphrase. When there is no drummer we need to be able to keep time. When there is no piano (guitar) we need to fill in the harmonic content and when there is no horn (singer) we need to provide the melodic content. We should not rely on these other instruments and should be able to play sufficiently with out them. We shouldn't need them but rather want to play with them.

Sounds like a few of you want to play follow the drummer, what if the drummer is trying to follow the bass player? We then have nobody leading and in turn who's following what?

+1,000.
 
I personally like to think so.

Often the complaint from a drummer about a bassist is that the bassist has no rhythm. I went to see a local cover band for which the bassist is about to leave and the drummer's chief complaint about the bassist is just that.

The bassist was actually not too bad, but it was obvious that he was what I guess he was: a converted guitarist, who switched to bass after he was asked to in a previous band who could not find a bassist.

He did hit the right notes, but his fingering technique was also very typical of a guitarist. He did not have any stretch at all and his fingers were clenched together.

On top of that, he was absolutely still. No tapping, no swinging, no nodding.

I was taught by my very first teacher to hit the 1st note harder than the others and the advice I got early on from older bass players was to swing, tap and nod, feel the beat.

Granted, you need to hit the right notes, as the bass is the one instrument that is likeliest to trash an entire song by playing the wrong ones, but a bassist who does not understand that bass is a percussion instrument will never get to the next level.

Am I the only one to think that it is MOSTLY a percussion instrument?
Many people play it as percussion with tone. It can, of course be much, much more.
 
I prefer to think of it as the best-of-both-worlds: It is the bridge between the Rhythm-section, that translates the beat to the rest of the band, while at the same time compounding the beat by hitting melodic notes that are either a counterpoint to, or are in some cases, the melody.

Personally, because of my age, I'm heavily influenced by both John Entwhistle (particularly the stuff he does on the Live at Leeds album) and Jack Bruce (particularly the Wheels of Fire album). I learned their styles note-for-note early on by wearing the grooves out of those albums.
 
The way I've always viewed it, bass exists at the lowest common denominator between the three basic "building blocks" of music: melody, harmony & rhythm - in a similar way as the three-dimensional corner of a room, adjoining two walls and the floor (or two adjacent walls and the ceiling).

For this reason, bass is generally the most powerful (i.e. and hugely influential) instrument in the ensemble. It's a unique role - not to be compared directly with any other instrument (including percussion). IMO, etc.

MM
 
Well... My daughter plays bass in her high school marching band. In the percussion pit. ;)

In this case, the bass functions as a percussion instrument, along with the xylophones, chimes, marimbas, glockenspiels, etc... Many of which are also very melodic instruments.

The technical difference, I guess, is that the bass is a stringed instrument and she's vibrating the strings with her fingers instead of a mallet or hammer (and she hasn't done any slapping yet)... But it functions really well with the rest of the percussion instruments. She provides the low end, and a little of that "thump, thump"...
 
The way I've always viewed it, bass exists at the lowest common denominator between the three basic "building blocks" of music: melody, harmony & rhythm - in a similar way as the three-dimensional corner of a room, adjoining two walls and the floor (or two adjacent walls and the ceiling).

For this reason, bass is generally the most powerful (i.e. and hugely influential) instrument in the ensemble. It's a unique role - not to be compared directly with any other instrument (including percussion). IMO, etc.

MM

Well said, I agree entirely...