Wow. What an original reply from a 5 string wanger.
If my laughter was not an original response it means you get it often...
Maybe something to ponder about. Why do you think that's the case?
edit: kind of funny to be called a '5 string wanger'
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Wow. What an original reply from a 5 string wanger.
Of course, It's great playing a 5 string. Extended instruments are fantastic things, but more importantly it will breathe new life and inspiration into you (if you are feeling a little same-same -meh). It will certainly make you think about your playing. Some make it a low B, others make the G a high C, the latter works well if you are using a hipshot thingy to detune the E.Hello mates! One does really need a 5 ? I am interested about it but since I am intermediate player I dont want to slow down my learning or even complicate my already gained progress, but maybe the 5th also teaches me new things , like expand the scales and stuff...
Its easy to say , just keep in mind that I dont have a big budget to own 2 basses so I would have to sell mine 4 string to get a 5.
What do you guys say?
Thanks!

I'd say don't do it, or if you do, don't do it unless you have a 4 string you can gig with until you've learned your way around the neck of a 5 string.Hello mates! One does really need a 5 ? I am interested about it but since I am intermediate player I dont want to slow down my learning or even complicate my already gained progress, but maybe the 5th also teaches me new things , like expand the scales and stuff...
Its easy to say " go get one" , just keep in mind that I dont have a big budget to own 2 basses so I would have to sell mine 4 string to get a 5.
What do you guys say?
Thanks!
That is where I have landed, for now. I have flats on the Jazz V, too.If I had three (3) Basses, then one would be a 5 string B-G, the P 4 would have flats and the J … would have rounds, both in standard tuning.
That is where I have landed, for now. I have flats on the Jazz V, too.
I subbed on the Broadway (Richard Rodgers Theatre) production of In The Heights back in 2008-2009, and played the first national tour 2009-2011. The score had two pieces specified for fretless, which was great because it counted as a double!Just curious, what show did you use fretless on? The only one I have ever seen played on fretless was the Adams family, and I am not sure if the part was written on fretless or the bassist just preferred it, but he/she did use it to good effect.
I subbed on the Broadway (Richard Rodgers Theatre) production of In The Heights back in 2008-2009, and played the first national tour 2009-2011. The score had two pieces specified for fretless, which was great because it counted as a double!
In your opinion. I hate the things. The only decent drop tuner was on a Kubicki.A drop tuner is much better.
I had a 5 for a while but ended up selling it. It WAS fun to play and you can cover more in 1 or 2 positions but I found that I continuously kept "pulling" the "G" string off the fret board. They have to find a balance of fitting 5 strings on a fret board without being too fat. I also found that I wasn't really crazy about the sound of the low "B" string... Only MY opinions for sure and there are many, many players out there, so do what you think is best but I wouldn't sell the 4 string... just un case!!!Hello mates! One does really need a 5 ? I am interested about it but since I am intermediate player I dont want to slow down my learning or even complicate my already gained progress, but maybe the 5th also teaches me new things , like expand the scales and stuff...
Its easy to say " go get one" , just keep in mind that I dont have a big budget to own 2 basses so I would have to sell mine 4 string to get a 5.
What do you guys say?
Thanks!
Totally agree. As others have said playing from that 5th fret acroos the fretboard saves work. Also in church F, E flat and B flat are a much better deal on a five.You haven't gigged a 5er apparently. It's not only 5 more notes, it's also more solid notes (more fundamental) on the B string that you're used to playing low on the E. You have your choice of the open E string, and F and G and....or the same note with a different timbre on the B string. If you ever play above the 5th fret (usually done because you like the tone better) a 5'er is right up your alley. In my case, working church gigs, when a singer decides to drop a step or a half step, the extra range and the enhanced ease with which you can transpose certain keys is often a life saver.
I had the exact same problem with a StingRay5: The neck was too narrow, so the G string hung off the edges of the frets. Other basses don’t have that issue. Yes, a slightly wider neck is slightly heavier. The solution is just to make sure that the instrument is well-balanced.I found that I continuously kept "pulling" the "G" string off the fret board.
Probably not, but I'm glad I've got mine.I have both. Which do I play/use more ? The 4's. So, did I really need to buy that 5 string ???
Why don't you practice on your 5 string all week and leave your four string home? At least try to do the whole thing on your 5 string and if you have to bring the 4 bring it as a BAIL OUT plan only. I think the worst thing you can do is have the mentality that you're going to play both somehow. Just focus on the 5 string and I'll bet things will work out just fine.Probably not, but I'm glad I've got mine.
As much as I want to play my recently modified/improved 4-string I might just bring my 5-string because of that one song.