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Is slap technique required to be a good funk player?

I slap a little in my time or at rehearsal for fun, but I never slap in performance. However, I DO use a "pop" here and there at shows. A tasteful "pop" w/ a snare or on the off-beat gives an element of punctuation that I cannot get otherwise. They are few and far between however. I also try and incorporate a "popped" hammer-on on the one or 3 or 4 depending on the groove.

In summary I like a *little* pop with my finger funk. It's like steak sauce, not good for every bite, but delicious if used in moderation.

And I use flats either Roto 77's or chromes.
 
Perhaps my word choices were not correct, Dmusic and Jauqo.

Why I feel the dynamics are different:

Typically your fingers have a slightly softer attack than a pick (unless you purposely play hard). Unless we're splitting hairs and getting into the material the pick is made of.

Each one of your fingers has a minuscule difference with the consistency (I play with 4 fingers and my pinky is slightly different than my index, when attacking a note, for example), a pick is more uniform with a the attack, more edgier (granted you can make a pick sound less edgier by rolling off the highs).
But also in the sense of really digging in with your fingers, you will not replicate it with a pick, digging in, it will be slightly different.

Ghost notes do have some difference between pick and finger.
But that goes back to the attack difference.

What I'm illustrating, is not to put down picking, hell I do it when needed as well, but there are subtle differences.

Just my .02
 
Larry used nylon tapewounds for his early stuff with Sly, but he said he's used everything and it makes no difference.

Anyway, two great examples of slap bass with flats:

Brick House---Commodores
Boogie Oogie Oogie---Taste Of Honey
 
I used to be slap happy per my bands request and recently explained to them that well place slap lines will be much more effective and using fingerstyle through the rest of the song gives at least how i play and EQ everything more body. I like well placed slap moments in a song but if its throughout the whole things its overkill i think...about funk bassists....are we leaving out james jamerson...i know its more motown but still...his lines were tight, melodic and still got people dancing.
 
I say no. I'm NOT a well schooled funk guy - I just know what I like.

I like Bootsy - to me, envelope filter is funkier than slap / pop. When I attempt my funk, I go with the envelope & a little bit of overdrive grit to funk out my tone. Space bass FTW!