Is there an "expander" pedal for note attack AND decay? Yes: Malekko Sneak Attack

I thought the Malekko Sneak Attack did this, but not sure it works for what you're suggesting.

 

There's a bunch on Reverb: Malekko Sneak Attack Analog VCA Guitar Effects Pedal

 

Probably nowhere near as sophisticated -- nor as reliable -- as a new Malekko, but fwiw back in the 1970s Maestro used to make an ADSR pedal.

I know OP said "no rack gear" but it sounds like an SPL Transient Designer would do exactly what you're looking for. Wonder if anyone's ever cloned one of those in a pedal form factor?

 

Don't disparage the pedalboard, bud, even for three pedals a mini board beats a scattering of pedals on the floor in terms of set-up, ease of use, and tear-down.

What about some of the "acoustic" simulators you find in MFX pedals, have you tried them?

Also, what about ol' school foam under the strings near the bridge. Also the techniques from the many threads on how to make your slab sound more like an upright would be transferable to the ABG, too, no?

Hopefully the Sneak Attack works for you, but if not then maybe the old EHX "Attack Decay" pedal would do the trick.


Pic from 1980 Electro Harmonix Attack Decay | Chris Nelson

If you can't find an old potentially unreliable EHX Attack Decay, Madbeanpedals has a PCB-clone of the EHX, here's the build PDF description of how it works:

The EHX® Attack Decay™ ... creates an enveloped gate which opens and closes around a plucked note. ... the volume envelope on the Rustbucket will swell and decay similar to a tape reverse, the attack envelope is removed (almost) completely rather than being moved to the end of the note. So, the effect is very similar but not exactly the same thing.
...

CONTROLS:

Sense: This control sets the sensitivity of the note envelope. Low settings have low sensitivity and vice-versa. This is also the most important knob adjustment to make to get the effect working well. You need to set it within the range that it responds to your guitar and your playing dynamics. Too low and it will not trigger the envelope. Too high and it will become so sensitive that minor pick or string scratches will trigger it into a sonic mess.

Harm: This sets the harmonics of the plucked note. Low settings are fairly clean. As it is turned up the note distorts. The Harm control will allow you to “smooth out” the subsequent envelope according to your playing dynamics.
Edge: This switch simply increases the distortion generated by the Harm setting into more fuzzy territory.

Attack: This control determines whether the initial note envelope has a fast (full down) or slow (full up) attack. Think of it in terms of a
bowed instrument where the speed of the bow across the strings determines how quickly the note volume swells to its maximum.

Decay: Similar to the Attack control but in reverse. The Decay knob determines how quickly the note dies out. Fast decay is full down and slow decay is full up.

Blend: This control allows you to blend the dry vs. effected signal. Full down is dry only, full up is wet only.​

Looking forward to hearing how the Sneak Attack works for you.

 

And I was teasing right back!

Thanks for the link to your thread.


As an aside, how badly did the fires in NorCal's wine country affect your gigs? If I recall correctly you used to do quite a lot of winery gigs, I've watched a few of your vids.

 

It works great with bass, mine does long swells in and fades out. It's an awesome box. Short blips, and hard trem chopping.

How are you setting it up?

 

It seems like a really fun pedal. I haven't watched that demo because as good as his demos are that guy talks way, way too much but I did watch the Tone Report vid about 100 times. I'm going to get one eventually. Malekko make really nice pedals.

 

I have no experience using the Sneak Attack but it seems to me that whoever told you it won't work on bass doesn't know what they're talking about. The guy that owns Malekko is a bassist. I doubt he would make a pedal that doesn't work on bass.

 

+1

What the feckinell does the dealer know over the MANUFACTURER ?

Not to mention a bunch of disembodied voices from an online BASS forum who have the SA firmly on their boards occupying much-contested board space.
So many cool pedals, only so much space, not everything can make the cut, yet there they are occupying precious bass-board space.



As for the EHX Attack Delay... I've no idea...

It's an older pedal, and rare, so it will be difficult to find any musician who has one and still uses it, let alone a bass player. Hence my suggestion for getting the Madbean Rust Bucket.

The OP in this thread — Madbean Rustbucket (EHX Attack Delay workalike) — says it's one of his favourite builds, but does that liking the build process, or the resultant sounds the pedal makes. Anyway, click on the link, there's a vid in that very short thread. About 1/4 the way in he starts messing with the decay and attack knobs.

I'll say after watching the vid, it has sent the Rust Bucket back up a few notches towards the top of the to-build list.