So I have a Unibass - love the concept, but hate the cheesy onboard distortion. So like many, I run the dry signal to my bass amp, then run the effected signal through a guitar distortion box or two - I've settled on a Metal Muff Nano to a Tech 21 British as a nice sound.
So far so good - the question is what to hook the British to. The obvious answer is a small guitar amp. But that's one more thing to haul to a gig. So I tried running it through a DI to our PA - but we play small places and the PA is really just for the vocals - didn't like the sound of the "rhythm guitar" through it.
So next I took an old A/B box, rewired it so it is A/A+B. My dry signal goes to A. Unibass to B. When I stomp on the switch, . it mixes the two signals and sends that to my bass amp - which is a Walkabout and actually a good guitar amp too.
Sounds good to my ears, other than a small volume drop. But is this a weird thing to do? I've read about impedance mismatches caused by mixing two signals together - but the signal only comes from one bass guitar, so do I still have a problem? And I only use the Unibass with an active bass. Am I missing something here?
So far so good - the question is what to hook the British to. The obvious answer is a small guitar amp. But that's one more thing to haul to a gig. So I tried running it through a DI to our PA - but we play small places and the PA is really just for the vocals - didn't like the sound of the "rhythm guitar" through it.
So next I took an old A/B box, rewired it so it is A/A+B. My dry signal goes to A. Unibass to B. When I stomp on the switch, . it mixes the two signals and sends that to my bass amp - which is a Walkabout and actually a good guitar amp too.
Sounds good to my ears, other than a small volume drop. But is this a weird thing to do? I've read about impedance mismatches caused by mixing two signals together - but the signal only comes from one bass guitar, so do I still have a problem? And I only use the Unibass with an active bass. Am I missing something here?