Sometimes people repeat the phrase "YOU GET WHAT YOU PAY FOR... YOU GET WHAT YOU PAY FOR" so many times that it becomes a mantra. At that point, they see a virtue in paying more so paying more becomes their final goal. Just paying more, in and of itself, is seen as something that gives you an upper-hand. You can get a quality bass in any price range if you're smart and you know how to shop but the YGWYPF contigent believes that buying a quality bass for $5,000 is inherently better than buying a quality bass for $500. This is where they and I part ways.
Imagine you are a businessman going to negotiate an acquisition. Should your goal be A) to spend as much as possible so that you have bragging rights that you've spent a lot or B) spend as little as possible while still getting some value in the end. The answer of course is B, which is why musicians make terrible businessmen. The only reason to choose A is to get that status-symbol label on the headstock. For anyone who isn't made of money or just values common-sense real-world frugality, the label-worshipping mentality is absurd and if you asked 99.999% of sane-thinking adults if it's worth it to get 90% of the tone and playability and durability for 1/10th the price, they'd answer "yes" in a heartbeat.
If you think I'm exagerrating about how likely musicians are to WANT to spend more, just look at this thread. Count the number of people saying "Save up the big bucks just so you can get a real pricey bass!" and then wonder why anyone would do that when there are literally dozens of threads on this very forum devoted to gigging basses had for under 500 bucks.
EDIT: Actually, I'm mistaken! It seems more TB'ers agree with me than not.
That's cool and good advice for a beginner. It's definitely the other way around in many segments of the musician community.
Imagine you are a businessman going to negotiate an acquisition. Should your goal be A) to spend as much as possible so that you have bragging rights that you've spent a lot or B) spend as little as possible while still getting some value in the end. The answer of course is B, which is why musicians make terrible businessmen. The only reason to choose A is to get that status-symbol label on the headstock. For anyone who isn't made of money or just values common-sense real-world frugality, the label-worshipping mentality is absurd and if you asked 99.999% of sane-thinking adults if it's worth it to get 90% of the tone and playability and durability for 1/10th the price, they'd answer "yes" in a heartbeat.
If you think I'm exagerrating about how likely musicians are to WANT to spend more, just look at this thread. Count the number of people saying "Save up the big bucks just so you can get a real pricey bass!" and then wonder why anyone would do that when there are literally dozens of threads on this very forum devoted to gigging basses had for under 500 bucks.
EDIT: Actually, I'm mistaken! It seems more TB'ers agree with me than not.