• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

jazz\ theory book.

I've been studying from it. Better now? *sigh* The point is this book helped me understand how jazz "works".

I forgot about this thread, some good advice on here. As for the response to my post earlier ( as above) I was just trying to clarify what you were saying as you said the book was an easy read and you had just read the book. I didn't mean to hurt your very tender feelings.
 
However, if you claim to write a "theory" book, like Mark Levine did, you should be able to explain WHY the ear acts the way it does...

To be honest - to me this (part I quoted) is total rubbish!! :hmm:

Levine is just describing what has happened in Jazz History and helping you understand it - he gives examples to be played so you can hear, as well as links to great recordings and then explains them.

I don't see why he has to do what you say - that's not his aim and I don't see why he should do what you want ...:confused:

It's his book - it's very useful.

It's not the theory of sound or the ear - it's just an explanation of what Jazz artists have done - Jazz Theory not psycho-acoustics or whatever else you might call it - makes perfect sense to me!