Does anyone use a 5-string for jazz? I can't help but think the B string would get in the way a bit (and not receive the justice it deserves when played pizz). I ask because I'm looking for my next bass - I play mostly jazz but a bit of amateur orchestral as well and would love to get some huge sub-E notes going. I'm also 6'8" and would like something that I don't have to pull the endpin out 2 foot...
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JAZZ WITH 5 STRINGS? A matter of choice.
In 2003 ISB Convention Rufus Ried played on my 1820 Prescott 5 string. He sounded great, of course, but didn't like it saying "Too many strings."
Later, Phil Palombi was booked to play my Prescott at a upscale jazz club in Boston (Scullers in Cambridge) and was looking forward to playing a 5 string (low B). However, his Boston gig was pre-empted by a European tour. He owns a 1842 bass by J. A. Allen, one of Prescott's apprentices.
I am too sick to book my big band anymore, but it took a month to adjust to the low B string. I confused it often with the E string. But I can't claim any great proficiency anyway. Where the 5th string comes in strong is on low sustained notes, rallentando and fermata at the end of a piece, or behind a vocal or instrumental solo. I just mounted 5 Tomastik Belcanto strings -- and do they sound beautiful, even pizzacato, even when I play! You may hear some words shortly about a venue where you can see, hear, and perhaps even record on my Prescott, if discussions work out well. Can't say anymore right now. (But you won't have to listen to ME play, so be thankful!)
Don Carrigan, See Prescott data/images:
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