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Hi guys,
a lot of times, when discussions come up, I find myself thinking "Well, that depends if I am playing music professionally or just for fun". But I find that fact gets overlooked quite often.
In fact, at TB, my impression is that there seem to be a lot of pros and a lot of hobbyists who are nevertheless looking to make some money. So discussions where a distinction between hobbyists and pros might make sense, more often than not lean in a certain direction. Myself, after I had finished school, was looking to make a career as a recording engineer. However, I was not only disillusioned about the job as such, but after a while discovered that I was about to lose my passion for music because of it. So I decided that I would look elsewhere for a career and do music purely as a hobby. But, I feel I am very much an outsider with that point of view.
So, fellow TBers, let's see some numbers in the polls! Who is doing their thing for the money, who is in it for the fun?
Hi guys,
a lot of times, when discussions come up, I find myself thinking "Well, that depends if I am playing music professionally or just for fun". But I find that fact gets overlooked quite often.
In fact, at TB, my impression is that there seem to be a lot of pros and a lot of hobbyists who are nevertheless looking to make some money. So discussions where a distinction between hobbyists and pros might make sense, more often than not lean in a certain direction. Myself, after I had finished school, was looking to make a career as a recording engineer. However, I was not only disillusioned about the job as such, but after a while discovered that I was about to lose my passion for music because of it. So I decided that I would look elsewhere for a career and do music purely as a hobby. But, I feel I am very much an outsider with that point of view.
So, fellow TBers, let's see some numbers in the polls! Who is doing their thing for the money, who is in it for the fun?

Yep, there are a few out there who have figured out how to make ends meet, mostly by diversifying in how they do it. I have good friends who teach, some at the K-12 level, some at the university level, and others who eke out a more meager living playing in multiple bands and offering private lessons. It's possible, but it's rare you find someone who is making their entire living playing shows. It's even more rare to find someone who has been able to successfully sustain themselves over the years doing that.Some of us make a living at music just fine. But I personally couldn't have my comfortable lifestyle from just playing bass, I had to diversify - composing, producing, mastering, music editing, etc. Sometimes I wish I could just play bass and make what I make from all the other combined income streams, but that's pretty darn hard these days, if not impossible. Doesn't help that I hate touring.
Hi guys,
a lot of times, when discussions come up, I find myself thinking "Well, that depends if I am playing music professionally or just for fun". But I find that fact gets overlooked quite often.
In fact, at TB, my impression is that there seem to be a lot of pros and a lot of hobbyists who are nevertheless looking to make some money. So discussions where a distinction between hobbyists and pros might make sense, more often than not lean in a certain direction. Myself, after I had finished school, was looking to make a career as a recording engineer. However, I was not only disillusioned about the job as such, but after a while discovered that I was about to lose my passion for music because of it. So I decided that I would look elsewhere for a career and do music purely as a hobby. But, I feel I am very much an outsider with that point of view.
Saw this coming in 1975. I was in a bar rock band. Disco was happening. The work was dwindling.
We didn't want to go near that stuff. I became an automoblie mechanic instead.
So, fellow TBers, let's see some numbers in the polls! Who is doing their thing for the money, who is in it for the fun?
I'm friends with and have been lucky to work at times when some heavy-hitter session and touring players. Even these guys all do the diversification thing as well--you simply have to(unless maybe if you're an actual rock star type, like you're in U2 or something). The Pinos of the world are few and far between. Heck, for all I know he's got his fingers in other pies as well.YIt's possible, but it's rare you find someone who is making their entire living playing shows. It's even more rare to find someone who has been able to successfully sustain themselves over the years doing that.
Jobby.
It’s always been a hobby, but I don’t move my gear for less than $150, and not further than 30 miles, and not for longer that 4 hours, and not outdoors unless the weather is great, and need meals comped for me and my wife, and close/ free parking, and, and, and, etc…
It's all about fun for me. As Damian Erskine has put it, I am an 'enthusiast', not an amateur or hobbyist.