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John Davis, you rule...

Dual filter. Low pass and high pass. CV control of cutoff and resonance on both.

John

Thanks for the info John. If you wouldn't mind, I'd like to throw out a few newbie questions. I'm sure they'll be indicative of my general ignorance on the subject, but here goes anyway...

Does the use of CV/Ex.Pedal mean that you're bypassing the 'trigger' on the filter? Do you always control to control your filters this way? What exactly does 'cutoff' mean, and how does this work functionally/sonically?

Thx :)
 
Does the use of CV/Ex.Pedal mean that you're bypassing the 'trigger' on the filter? Do you always control to control your filters this way? What exactly does 'cutoff' mean, and how does this work functionally/sonically?

Thx :)

maybe i can help.
Not sure what you mean by 'trigger', I'm guessing you mean the threshold where an envelope filter would quack or the Q... From what i understand its not an envelope filter, but a static low pass or high pass filter so it wont move unless he uses CV/EXP to to slide the Frequency cuttoff.

No the frequency Cutoff is the frequency in HZ that he's using as the that is the minimum value to allow through the filter. As he increases the cutoff the filter blooms(WAH), and he lowers the cutoff its closes(OW).

i think that answers everything
 
maybe i can help.
Not sure what you mean by 'trigger', I'm guessing you mean the threshold where an envelope filter would quack or the Q... From what i understand its not an envelope filter, but a static low pass or high pass filter so it wont move unless he uses CV/EXP to to slide the Frequency cuttoff.

No the frequency Cutoff is the frequency in HZ that he's using as the that is the minimum value to allow through the filter. As he increases the cutoff the filter blooms(WAH), and he lowers the cutoff its closes(OW).

i think that answers everything

Thanks! I'm pretty sure that covers it. So, I wonder if Taylor is planning on doing a run of these (someone had to say it).
 

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