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Just Some Thoughts/My Experience With Gibson Basses - Not a Gibson Bashing Thread!

No my bass has a robust tone and output on every setting - either or both pickups, tapped or not and the tone control has a broader range than a normal tone roll off. I would get your wiring checked.

I have a 2013 EB with four strings. The answer is that the pickups do not cancel each other out. That's got to be a wiring problem of some kind.

Okay, I just reversed the red and black connections for the bridge pickup and now both seem to be in phase.
Thanks for the responses! (I was going to attempt this fix but it was enough of a hassle that I wanted to be reasonably sure before I started hacking on the wiring harness.)
My already-cool EB-5 is that much cooler now that I can rock both pickups at once! :bassist:
 
Really? Jack Bruce, Andy Fraser, Bob Daisley (on the early Ozzy solo stuff), Felix Pappalardi, Dennis Dunaway, Dee Murray (on Elton John's live 17-11-70 album)??? Killer tones, IMO. Don't get me started on the T-bird and Ripper/Grabber stuff from the 70s...

But, I get it: To each their own.
This....can someone post a pic or video of 'Johnny Cash Live at San Quentin'?

Johnnys bass player is playing exactly the same model as my 65 Epiphone Newport, the 'batwing headstock' is on the cover and its a neck PU only 'mudbucker' bass....listen to the tone....its not that dirty and not far from a P bass.
 
I've just bought a Les Paul Tribute DC, my first Gibson, and so far I'm very impressed with it - though yet to play at volume or at a gig.
Just watched the Premier Guitar tour of the Gibson factory, where it was said all USA made guitars now go through a Plek machine. Can anyone confirm this, and by 'guitars' does this include all basses?
 
I've read it in an interview with Henry J. A long time ago.

And with 1-piece necks I mean "necks without a separate headstock", not the longitudonal lamination (as that was used even in the 1940's on the archtop guitars). The G3 is an exception indeed.
I'm fairly certain that is in regard to guitars only, not basses. Plus Henry J... I mean he was the president, not a luthier unless you include some of his unfortunate designs.
 
I know folks like to rip on Henry J for some of the weird stuff he tried to push (e.g. Firebird X, Darkfire, Robots etc) that nobody was asking for. But I always gave Gibson credit for trying stuff and trying to push the envelope a bit. When was the last time Fender tried anything remotely innovative? Anyway, I like Gibson basses. Current inventory...

2013 EB 4 string (natural)
2007 SG Supreme (guitar of the week - week 1 - FMT)
2020 Les Paul Tribute DC (love this thing!)

Other ones I've had...

2007 Money bass - never bonded with it and it was uncomfortable sitting
? SG worn mahogany - nice but I already had the 2007 so moved it along
2013 EB (worn cream) - was redundant with my natural one

Had a couple minor QC issues along the way, but nothing that soured me on the brand.
 
The little known Gibson Studio Thunderbird, small headstock, set neck, rounded smaller slab body, modern bridge. This combination works really well with their stock pickups, this bass has great tone that is a bit different from the standard construction Bird. I had been looking for one for quite some time, this one came from a fellow TB'er.

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I've owned a few over the years. The most interesting was a '70s prototype with an oversized body, ebony board and a pair (!!!) of extra hot mudbuckers. I swapped out the neck PU for a DiMarzio which gave me an incredibly versatile bass. I still have that pickup in a parts box, I think.

Too bad I don't have pictures. When I bought it, there were 9 or 10 others with the bodies carved down in various shapes culminating in the Ripper and Grabber. This was done after finishing so the carved edges were raw wood. This was decades before we had cell phones with cameras, dammit.

I'd probably still have it but there was a '68 Telecaster bass that I just had to have…

Ten years later, I bought a Bass V. 5 strings spaced the same as 4 — too narrow and I couldn't get used to it so, when Carvin came out with their 5 strings with wider spacing, I bought one and never looked back. That Gibson had the P-Bass body shape and TB pickups. Sounded good. The guy I sold it to still plays it.
 
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