So my predicament is this...
I have an organ and a separate piano that run in (1/4") to a Behringer mixer that runs out (RCA to XLR) to studio monitors. I run them each in stereo, so I'm using 4 inputs on the mixer.
This is the set-up for casual, non-recording play.
Also running in to this mixer is my interface (Propellerhead Balance).
If I want to track either of the keyboards in my software (Reason 7), I'd have to unplug them from the mixer and in to the interface.
Could I keep both the keyboards plugged in to my mixer and run a pair of 1/4" cables OUT of the mixer and IN to a channel on the interface? The thing that confuses me is this interface already has a pair of cables running OUT of it and IN to the mixer that feeds the studio monitors.
I don't know why this worries me, but it does. It's creating a loop {keyboards > mixer > interface > mixer} that just reminds me of "crossing the streams" a la Ghostbusters.
So if this makes sense, and you know what I'm talking about and have some insight, please help.
Thanks a bunch,
Matt
I have an organ and a separate piano that run in (1/4") to a Behringer mixer that runs out (RCA to XLR) to studio monitors. I run them each in stereo, so I'm using 4 inputs on the mixer.
This is the set-up for casual, non-recording play.
Also running in to this mixer is my interface (Propellerhead Balance).
If I want to track either of the keyboards in my software (Reason 7), I'd have to unplug them from the mixer and in to the interface.
Could I keep both the keyboards plugged in to my mixer and run a pair of 1/4" cables OUT of the mixer and IN to a channel on the interface? The thing that confuses me is this interface already has a pair of cables running OUT of it and IN to the mixer that feeds the studio monitors.
I don't know why this worries me, but it does. It's creating a loop {keyboards > mixer > interface > mixer} that just reminds me of "crossing the streams" a la Ghostbusters.
So if this makes sense, and you know what I'm talking about and have some insight, please help.
Thanks a bunch,
Matt