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Kinda dead roundwounds, anyone like 'em?

I don't mean dead as a doornail, but just a bit dead. You know, the zing is gone, but they aren't quite lifeless. They are a bit subdued, but not completely crap yet.

Does anyone like this phase before they go belly up?
Some of my basses sound better and are put to better use with such strings for a more jazz/blues kind of tone. Some are better suited for newer strings so I often save strings when I change a set on these and put them on the ones that sound better with the older strings. Hand me down strings.
 
330 Ric 1.JPG While I prefer flat wounds or tape wounds on most of my basses, I do have a few that , to me, sound best with rounds. My T-bird, for example; and my Rick 4003; and the Kramer Duke. I prefer to think of the strings they currently wear as "nicely broken in". When they get to the point of "Dead", I replace them; put my shooting ear protectors on; and play them until that nasty zingy-ness is gone... When I get the urge for twang and zing, I play this Rick 330 (with EB Cobalt 11-48s). Through that old Rick amp, that's about as much zing and twang as any normal person can stand...:whistle:
 
Nah I hate dead strings. If I want a more subdued sound I'd rather use pure nickel wounds or new chromes
Weirdly, the JJ hybrid bass I describe above sounds "okay" with new rounds, "alright" with Chromes, and "fan-bloody-tastic" with worn in rounds. I guess it's a case of finding the true voice of the individual bass. This bass has those weird passive EMG p'ups, and a very hard/dense body. That might be a factor.
 
It depends on the strings and the bass. I’ve had strings with very little zing that I loved right out of the package, but a month later... yuck.

Most strings, though, I have to play at least a week or two before I can gig ‘em - those will make it 6 months to a year before I have to change ‘em, with a good, long happy period. All these times would be much shorter if I only had one bass...
 
I've found that once Dean Markley Blue Steels and Rotosound 66s go dead there isn't really much going on there. Too much of the integral character of those strings comes from the fresh zing. The Marleys didn't have a lot of mids going on, on my P bass at least, so once the zing was gone there wasn't much left.
 
I only own one bass, which I bought about ten years ago. I restrung it (Squier Affinity P) back then with a set of Dunlop nickel-plated steel roundwounds, .045-.105. I only got it out occasionally back then since I didn't really play bass yet. But in the last few years bass playing has eclipsed guitar playing for me, and now I'm doing weekly band practices with it, still on the same 9- or 10-year-old strings, and I like how they sound and feel.

I don't much like how new rounds I've tried sound. When I started out I thought I wanted that new-string piano twang, but I've evolved into a guy who plays fingerstyle, pretty softly, with a pretty loud and slightly dirty amp, and deader strings sound better to me in that scenario.

I'm thinking of trying chrome or cobalt flats whenever these strings give up, hoping to bypass that new zing and enjoy a long period of tonal usefulness.
 
I personally love ‘em! I call them “zombie strings” at that point, simply because it’s fun to say.

My favorite is just-beyond-broken-in Sadowsky Blue Label Nickelwounds on my Sadowsky 5’er, and adjust hand positioning and the VTC to taste for any specific timbre and zing.
 

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