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Kubicki club, part 2

Does anybody remember the short-lived "Rebel" headless bass from the late 80's. It was heavily-inspired by the Ex Factor. I recall seeing ads in either Guitar or Bass Player magazines. Typical ad copy for the day including a scantily-clad model.

Riis
 
wow - wish Phil could have seen that. When I bought my first Ex-Factor used in '94 I called Phil to order a fretless neck for it. First off I thought I'd be taking to his secretary or front-person, but he answered the phone. We got talking and he asked how much I paid and I said $750. He said, "I would have bought it for that!"

ain't that the truth, it's great bass with great tonality and originality. I think it sounds and looks all on it's own.
What's it look or sound like? Uhhh.... A Kubicki lol.

My bass had some work done to it back in July 30, 2007. the guy I bought it off of told me he just called up and had the bass tuned and cleaned all that.

I would say the bass plays like $10'000 not $6'000 lol
 
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ain't that the truth, it's great bass with great tonality and originality. I think it sounds and looks all on it's own.
What's it look or sound like? Uhhh.... A Kubicki lol.

My bass had some work done to it back in July 30, 2007. the guy I bought it off of told me he just called up and had the bass tuned and cleaned all that.

I would say the bass plays like $10'000 not $6'000 lol

Phil created a very modern design w/o it being '80s dated. He used a multi-ply hard-rock maple neck which was already used since the '60s on Japanese basses. His focusing on ergonomics set his design apart and his drop-D extension has yet to be topped. Add to that his characteristically voiced pre-amp (not perfect, but definitely unique) and his crazy tractor-wheel tuner/bridge - and it's every bit as timeless/"classic" as a P or J bass. I can distinguish/hear one eyes's closed.
 
these are all so good.
My Kubicki is a '93 so I imagine Phil making it om this shop. Bring s tear to my eye.

On a side note, been spending some time setting up my kubicki.
The factory setting are 3/32 on the pickup, anybody else put them a little close? I feel like i get much better articulation with them closer.

I know it's subjective, I don't need the story just want some ideas on how everyone else setup up the Exfactors.
 
Cool vids. It seems to me that CNC machines are digital and good ol' Phil was still running all analog beasts in his shop. :smug:

I got the feeling Phil was a pretty down-to-earth practical guy, much like Leo Fender. He looked like he was delighted to have the old machines work so well!
 
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No, but I wanna see it. Got any pics @Zooberwerx ?

No and it's killin' me because I remember it so well. I can't find any trace but I wonder if Guitar Player mag would have something like this archived?

Edit: okay...think I'm on the right trail. I believe it was "Gould Rebel Series Basses" and the builder is a TB contributor. We'll know shortly. Not to be confused w/ G. Gould!

Riis
 
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