I was looking for a fretted bass as a change from my MIJ Fretless Jazz, on New Zealands equivalent of Ebay...Trademe.
I saw a "Licenced" Kubicki, so always looking for the unusual, and never having heard of them, I started researching the guitars and the man.
It turns out that there are several stories out there about licencing deals gone bad etc....basses that should have been destroyed ..that weren't.......really bad Korean copies.....etc, etc.
I bought it anyway (quite a mission as it turned out) and found that it has an awesome range of tones....and not just in the toppy/ slap range. It's immaculate and really well constructed. The hardware looks to be really good quality, the neck is laminated, everything is as it should be except that the marker dots are not the oblong inlays on the side of the neck, it is active only, and it's 9V. The stacked pot is Trebble/Bass, the middle pot is pan between p/ups, and the front one is volume.....It came in an expensive looking real leather custom shaped carry bag with the logo that's on the body of the guitar, repeated on a sown on label.
Having studied a heap of online pics, I've taken some of my own and invite comment and/or war stories
.....as I would
like to know the real story about this axe....as far as I can make out, it's so good a copy that it could be a real
one......... mysterious, given that by all accounts Philip washed his hands of any copies....and not too happy with Fender's envolvement either, was he eccentric? ...totally envolved in his craft?....... Both? .....or more?...........................................................................................Please chip in if you have anything.
I paid about $700 of your US$ for it......
I saw a "Licenced" Kubicki, so always looking for the unusual, and never having heard of them, I started researching the guitars and the man.
It turns out that there are several stories out there about licencing deals gone bad etc....basses that should have been destroyed ..that weren't.......really bad Korean copies.....etc, etc.
I bought it anyway (quite a mission as it turned out) and found that it has an awesome range of tones....and not just in the toppy/ slap range. It's immaculate and really well constructed. The hardware looks to be really good quality, the neck is laminated, everything is as it should be except that the marker dots are not the oblong inlays on the side of the neck, it is active only, and it's 9V. The stacked pot is Trebble/Bass, the middle pot is pan between p/ups, and the front one is volume.....It came in an expensive looking real leather custom shaped carry bag with the logo that's on the body of the guitar, repeated on a sown on label.
Having studied a heap of online pics, I've taken some of my own and invite comment and/or war stories
like to know the real story about this axe....as far as I can make out, it's so good a copy that it could be a real
one......... mysterious, given that by all accounts Philip washed his hands of any copies....and not too happy with Fender's envolvement either, was he eccentric? ...totally envolved in his craft?....... Both? .....or more?...........................................................................................Please chip in if you have anything.
I paid about $700 of your US$ for it......