Hi everybody,
since december I'm using the wonderful 0760M on my Harley Benton JB75. I knew these strings before, and fell in love again after mounting them on this bass.
it has a sturdy bridge and a big neck, so I haven't got problems with them, but a friend of mine used this set on a Squier Affinity, and the bridge bent under the tension.
two weeks ago I bought a Sub Ray4, wonderful bass, well sounding... but in two weeks I spent more time trying the various strings I had at home (Ernie Ball 45-100, 50-105 and GHS 45-105) more than actually playing this bass... I had two reharsal sessions and a gig in the meanwhile, and did it with the three different sets
I probably just figured out that I'm addicted to the Labella Jamerson, both for what concerns the feeling and the sound.
I'm a flatwound lover, in particular becase I don't slap a lot, and when I do, I still like the "contra vibe" of the slapped flats compared to the bright roundwound sound.
where's the problem? I'm afraid that they can bend the bridge... I've tried the 50-105 from Ernie Ball, but their overall tension is less than a 45-105 GHS, so they don't count much...
has someone tried them, or at least some heavy gauge flats on this bass?
since december I'm using the wonderful 0760M on my Harley Benton JB75. I knew these strings before, and fell in love again after mounting them on this bass.
it has a sturdy bridge and a big neck, so I haven't got problems with them, but a friend of mine used this set on a Squier Affinity, and the bridge bent under the tension.
two weeks ago I bought a Sub Ray4, wonderful bass, well sounding... but in two weeks I spent more time trying the various strings I had at home (Ernie Ball 45-100, 50-105 and GHS 45-105) more than actually playing this bass... I had two reharsal sessions and a gig in the meanwhile, and did it with the three different sets
I probably just figured out that I'm addicted to the Labella Jamerson, both for what concerns the feeling and the sound.
I'm a flatwound lover, in particular becase I don't slap a lot, and when I do, I still like the "contra vibe" of the slapped flats compared to the bright roundwound sound.
where's the problem? I'm afraid that they can bend the bridge... I've tried the 50-105 from Ernie Ball, but their overall tension is less than a 45-105 GHS, so they don't count much...
has someone tried them, or at least some heavy gauge flats on this bass?