Over the past few months, I've noticed that G&L LB-100s come and go through the classified super frequently.
My best guess as to why is that people have bought them off of the strength of the Ed Friedland review but then found them not to be to their tastes.
I had one and thought it was a very comfortable instrument; it was light, had great upper fret access and the #12 neck profile felt very natural to me. I've also heard that the #11 profile is fantastic. Ultimately I returned it because of a dead spot I couldn't get over on the high D (G&L note consistency) but I wasn't totally happy with the sound either, a bit too pronounced in the high mids for me, even with flats. I've since been looking for a mellower sounding P.
I'm curious to hear from people that have purchased one recently and ended up selling it on or returning it - how did the bass differ from what you were expecting? What were you looking for, and what have you ended up with?
My best guess as to why is that people have bought them off of the strength of the Ed Friedland review but then found them not to be to their tastes.
I had one and thought it was a very comfortable instrument; it was light, had great upper fret access and the #12 neck profile felt very natural to me. I've also heard that the #11 profile is fantastic. Ultimately I returned it because of a dead spot I couldn't get over on the high D (G&L note consistency) but I wasn't totally happy with the sound either, a bit too pronounced in the high mids for me, even with flats. I've since been looking for a mellower sounding P.
I'm curious to hear from people that have purchased one recently and ended up selling it on or returning it - how did the bass differ from what you were expecting? What were you looking for, and what have you ended up with?