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Let's see your Rig Rundown setup!

G&L SB-1 -> Boss TU2 -> Keeley Bassist Comp -> Joyo Ultimate Drive (not always on) -> Darkglass Alpha/Omega (always on except when the Joyo is on) -> Joyo Digital Delay (not always on and used more like a chorus than a delay) -> late 70s Sunn Concert Bass (as pre) -> Magnavox era SVT (as power) -> Magnavox era 810.

Also use a pair of Acme Low B2s instead of the 810 from time to time. Detent basically off.
 
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Reorg’d today.
 
I pieced this together when I got to Austin after a year of RV travel, and no giggable bass rig. Trying my best to be as ampless as possible and get my tone from my board. But the little Rumble 100 held its own on my first gig in Texas without any FOH support.
I hope to shoehorn a HPF/LPF on the board at some point, but I love the sound of this rig.

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70's Epi ET-280>Korg PitchBlack>Boss LMB-3>Joyo American Sound>Radial Pro DI>Rumble 100. Simple and perfect.
 
Fender MIM p bass (Bareknuckle split 58) -> Way Huge Pork and Pickle (pork loin side) -> Darkglass Alpha Omicron -> Line6 m5 (for all the weird stuff my guitar player wants me to do) -> Traynor SB500h -> Ampeg pf410hlf
 

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My touring rig when I was playing country. Wireless>Compressor>A/B> Ampeg. Direct out of SVT or mic on cab. For in ear monitoring, I ran into the rack mounted preamp (Tech 21) via the A/B box. I used an IPad to dial in my ears mix. I also had an MB800 rack mounted as a back up amp (Never needed it, the Ampeg never once had an issue) or a slave if I was running another cab. (I used an 810 cab in conjunction for bigger stages)

my bass vault had a practice amp I used sometimes back stage to warm up with or rehearsal on the road. (Vault wasn't on stage, usually back stage, I just put it there for the picture.

These days my rig for clubs is substantially smaller and more portable. But this sounded great.

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