• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

losing volume when slapping?

Technique. You need to work harder at getting your volume up. Make sure your thumb bangs squarely into the string right on the bone, and while you want to use some force, using too much will cause your thumbed slaps to not be so loud. If the notes aren't as loud as your fingerstyle, you're doing something wrong.
 
How you are slapping could be the culprit. If you are slapping perpendicular to the string it could cause a volume loss because not all pup's track well vertically. When fingering you are vibration the string parrallel to the pup's increasing the volume. You could try slapping through the string like vic does but that technique is kind of uncomfortable at least to me.
 
Technique. You need to work harder at getting your volume up. Make sure your thumb bangs squarely into the string right on the bone, and while you want to use some force, using too much will cause your thumbed slaps to not be so loud. If the notes aren't as loud as your fingerstyle, you're doing something wrong.

I dont think its my technique. My pops are quieter too. Ill see if i can get a vid up. It may not be quieter, but it doesnt cut through the band as much?
 
How you are slapping could be the culprit. If you are slapping perpendicular to the string it could cause a volume loss because not all pup's track well vertically. When fingering you are vibration the string parrallel to the pup's increasing the volume. You could try slapping through the string like vic does but that technique is kind of uncomfortable at least to me.

That sounds right. I slap perpendicular to the string, but I've never thought that to be bad technique
 
Well, I guess I'm one of the few who thinks that's a pretty normal thing with most basses. I'm a pretty heavy slapper and have always had that issue when switching from fingerstyle to slap within a song. I've found my Sadowsky jazz to be the most balanced. Slapping strikes the string perpendicular to the pickup and fingerstyle strokes it horizontal so that's completely normal in my opinion.
 
+1 to the comments above. One of the things that IMO is most difficult about 'slap style' is to be able to effortlessly go back and forth between fingerstyle and slap with no volume gain or loss and no EQ adjustments (except possibly adding a small touch of low end when slapping).

So, my guess is that it is primarily a technique issue, and is the primary reason that so many amps have those goofy 'footswitchable slap scoop controls', etc... which should be avoided like the plague:D

That being said, the strong percussive nature of slap style will immediately identify issues with amplification (which is at least part of the reason you see players in music stores 'testing' equipment using slap style playing). Using too small of a speaker cab or too low powered amp for your playing context really becomes apparent when you are wacking that E string. If you are pushing your rig right to to the limit with your finger style technique, then the more percussive peaks and wider tone (primarily due to hitting the string closer to the neck or even on the neck which results in more fundamental) can really result in the low end compressing. I've also found this issue to occur with some tube loaded preamps or hybrids, where the gain structure of the pre tends to compress a bit when really pushed... I hate that!

I've also run into this with a few basses, where the low end fundamental seems to compress when slapped. This is rare though, but it can drive you nuts. It doesn't seem to be 'brand or model' specific, but I guess certain pieces of wood can have this issue, and it's a 'slap killer' if you unfortunately run into one of them. It's like someone is turning down the bass control of your amp with every low E string slap. This should not impact the 'pluck' part of the techique, though, and becomes much less apparent as you move up the neck. I doubt that this is your issue.

The best way to test whether it's 'you or the amp' is to play at moderate volumes, playing the same 'lick' or pattern fingerstyle and slap style. You should be able to go back and forth with no apparent change in volume IMO and IME.
 

Latest posts